MATERIALS
• Prepared canvas.
• Oil paints.
• Bark specimens: Australian Melaleuca Tree (paperbark); Leptospermum (Tea Tree).
• Agapanthus.
• PVA glue.
• Tweezers.
• Scissors.
• Small rolling pin.
• Fly spray to rid the bark of any insects.
• Matt spray.
STEP ONE
I drew the bird on a grid to help with the dimensions and then painted the background to give colour to see what I was working with. Following that, I used black (Tea Tree) bark around the outline of the bird.
STEP TWO
A paperbark was then used (which would work well for the tree trunk). The texture of the bark, as well as the colour, had to be considered. I chose a reddish tinge. I also started to build the tail using a more ‘papery’ bark, combined with harder pieces; keeping in mind that it had to end up looking like a tail.
STEP THREE
ãã®èšäºã¯ Artists Palette ã® No 171 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Artists Palette ã® No 171 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Eye of Observation
Draw, draw, and draw some more; develop your artistâs eye of observation. Sterling advice from a lady who believes that seeing shapes in paintings requires a truly âartyâ eye.
Pelicans To Portraits
This lady has painted everything from pelicans to portraits. She has completed commissions including cats, dogs, horses, possums, numerous beach scenes ⊠and even a Scottish piper.
Gregory John Brennan: Lost Profession
Looking back on his early career as a bulldozer driver, this rural New South Wales painter laments the days when he was too young to appreciate his outstanding potential as an artist.
Pastels: Once We Were Important
A simplified and well named painting tells a powerful and interesting story. This clever pastel artist is delighted to share her techniques for the benefit of others.
Fibre Art
This artist feels that the hardest lesson she had to learn was to believe in herself ⊠and once she did that, everything started to fall into place and her confidence grew.
Water Lily Magic
Instead of paper and paint, this artist uses fabric and threads ⊠and she uses a sewing machine instead of a brush. The textures, colours and prints of fabrics thrown together with threads fascinate her, and often give inspiration for her designs.
Loading Wheat â 1920s
It is rare to see an artist displaying this level of skill and understanding in capturing the activity and atmosphere of bygone days from Australiaâs agricultural history.
âJama' â King Cheetah
This exquisitely talented lady believes that every artist has failures ⊠but it is important to remember that every success is better than the one before.
Blahuta's Ute
Early in the year we ran a feature about âUtes in the Paddockâ â a landmark project by several notable artists. In this article, one of those artists shares his story and some of his views ⊠and describes the process of creating his own piece of an amazing collaborative work.
Artists' Easels
Many important tools are employed by artists in creating their paintings. Artistsâ easels are now available in a host of styles and configurations to enhance the creative process. Some of your favourite art materials suppliers are more than pleased to highlight a selection of the many products being offered.