A trip to Kyoto was the beginning of an exciting new chapter for Patricia Belyea, whose love of Japanese textiles and passion for quilt-making is combined in her exciting new book East-Meets-West Quilts. Here, we find out how her journey unfolded.
It seems that turning 50 sparked a change of direction in your life. Can you tell us more about this?
Exactly. A mini trip to Kyoto when I turned 50 created a sea change in my life. I had always wanted to go to Japan and the looming half-century milestone pushed me into action. I often get asked why I felt so compelled to go to Japan. I don’t have an impressive answer: I just always wanted to go. Perhaps the pile of National Geographics in our family home beguiled me as a child with photos of pagodas. At the time of my first visit, I was super busy as the leader of a creative agency. So my husband, Michael, and I only went for five days; and one of those was a travel day! It was more like a long weekend in Kyoto. At the end of our trip, Michael and I said, “Let’s do that again.” Besides returning many times, we’ve hosted eight Japanese homestay students, and founded a home-based business that imports vintage Japanese textiles.
You took up quilting for the first time at 53. Was this prompted by your visits to Japan or for other reasons?
It all began when I decided to make a baby quilt for one of my employees. I had no idea what I was doing. So I visited Maurine Noble, the gal who founded the quilt guild at our church. A beloved teacher and the author of three quilting books, Maurine was uber-generous to me. Although there was a 20-year age difference between us, Maurine and I became fast friends. We loved getting together and talking about all things quilting. Maurine encouraged me to make quilts any way I wanted – to keep trying new ideas. I’m sure that if I hadn’t met Maurine, I wouldn’t be a quilter today.
How did your practice evolve? Did you experiment with lots of techniques before settling into your own style?
ãã®èšäºã¯ Popular Patchwork ã® December 2017 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Popular Patchwork ã® December 2017 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Handy Hints For Project Success
If you are new to Popular Patchwork or sewing in general, following a pattern can be confusing. We want you to enjoy making the projects in the magazine, so to help you here are some questions we regularly get asked.
Block Of The Month - Point Squares
Block Of The Month - Point Squares
Novel Stitching
This spring, Jane Austen’s House Museum will unveil a very special quilt to commemorate Jane Austin’s life at Chawton in an exhibition entitled: Piecing Together Jane Austen. Elizabeth Betts describes a year in the making.
Wedding Quilts
Diana Woolf takes a fascinating look at the history of quilt making and the designs traditionally associated with weddings.
Handy Hints For Project Success
If you are new to Popular Patchwork or sewing in general, following a pattern can be confusing. We want you to enjoy making the projects in the magazine, so to help you here are some questions we regularly get asked.
Patchwork Of My Life Ruth Singer
Ruth Singer left a much-loved job in museum curating to follow her heart and has since become known for her amazing talents in stitching and fabric manipulation. Her recent projects have ranged from being an artist in residence and honorary fellow at Leicester University Department of Genetics to extending her Criminal Quilts project, which was originally commissioned for the Shire Hall Gallery in Staffordshire. Here we find out more about this versatile and scholarly artist.
Ruaab - A Producer Company Of Women
How a group of women in India have taken their hand sewing skills into the international marketplace.
Abigail Booth of Forest + Found
Louisa Goult talks to quilter and textile artist Abigail Booth, half of the crafts partnership Forest + Found.
Down By The Riverside Competition
Back in May we launched a group design competition, in partnership with Lewis and Irene. Each group who entered was given a 10m length of the stunning ‘Down by the Riverside’ border print and the brief was to design a quilt to incorporate it. The entries were a varied and gorgeous mix of designs and choosing the winning quilts was a challenge. However, judging by the overwhelming response from visitors to the Popular Patchwork stand at The Festival of Quilts, we are confident in our final choice. Here we talk to the finalists about their experience of working as a group for this design challenge.
Stuart's Surgery
Each month Stuart Hillard answers your quilty questions!