To be invited to dine in the kitchen of Azzedine Alaa was to be invited into the upper echelons of the fashion elite. Mumbai-based master embroiderer MaxiMiliano Modesti had a permanent seat at the table, alongside Naomi, Stephanie et al. In a moving account of what it was like to dine in the worlds most exclusive kitchen, he fondly remembers his mentor and friend, the late, great Azzedine
It was possibly the most extravagant dinner I have had in Azzedine Alaïa’s kitchen. There were eight of us present the day fellow guest and world-renowned castanet player Lucero Tena—who has played with some of the world’s greatest orchestras—performed an impromptu 15-minute concert as a gesture of thanks for the invitation. It was a beautiful moment, to see two geniuses communicating with each other through the offering of their arts. And viewed from the perspective of both his creative pursuits—fashion and cooking— Azzedine Alaïa truly was a genius.
It was in the kitchen that I first met Azzedine Alaïa, back in 1993. That was where I had my interview and he offered me the job as his assistant. Right there in the kitchen. It was the place where he judged people. And if he never invited you to the kitchen again, that was not a good sign.
Never has a room personified anyone as much as his kitchen did Azzedine. There were two [places for art] in his Paris home, an 18th-century hôtel particulier on Rue de Moussy—the kitchen and the studio. The kitchen was almost designed along the lines of la salon, a concept that was de rigueur in 18th-century France, where enlightened people would invite artists, philosophers and writers to congregate and speak. Coincidentally, nearly 300 years ago, this building served as the residence of the Marquise de Pompadour, renowned not just for her literature- and art-centric salons, but also said to have introduced fashion to the royal court. It wasn’t something Azzedine knew when he bought the building, but it certainly resonated with him. It was almost as though his Parisian home was meant to fulfil a destiny.
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BANYAN TREE VEYA, IN MEXICO'S VALLE DE GUADALUPE, IS A NEW WELLNESS RESORT THAT LOOKS TO THE LAND.
A two-hour drive south from San Diego, the Mexican wine region of Valle de Guadalupe-dotted with fertile vineyards and family farms-has remained mostly under the radar, even to food-obsessed Americans.
DESIGNED IN 1988 BY RENOWNED LANDSCAPIST MADE WIJAYA, THE GROUNDS AT AMANDARI IN UBUD, BALI, FOREGO MANICURED LAWNS FOR AN ABUNDANT NATIVE PARADISE.
Coconut palms and banyan trees in sizzling jungle greens, cascades of bougainvillea and the scent of frangipani in the airâa tropical explosion of foliage that would have led Monet to abandon Giverny.
BANGALORE CLUB'S MAIN LAWNS, WITH A MAGNIFICENT RAIN TREE, GET A NEW UMBRELLA BAR AND COLONNADE BY AD100 ARCHITECTS SANDEEP KHOSLA AND AMARESH ANAND.
Time appears to come to a standstill when one enters the Bangalore Club.
FROM HER STUDIO IN LLOYD WRIGHT'S 1927 HOME, DESIGNER VICKI VON HOLZHAUSEN IS REFINING THE SCIENCE OF HIGHPERFORMANCE, PLANT-BASED MATERIALS.
It seems not only fitting but poetic that Los Angeles-based designer and eco-preneur Vicki von Holzhausen chose architect Lloyd Wright's own 1927 studio and residence as the symbolic headquarters of her namesake company, von Holzhausen, a pioneer in the development of high-performance plantbased materials.
IN THE LADAKHI HAMLET OF TURTUK, A KITCHEN GARDEN SUPPLIES FRESH PRODUCE TO THE BALTI KITCHEN OF BOUTIQUE HOTEL VIRSA.
To get to the most exquisite yet humble meal of your life, you'll have to take a six-hour drive from Leh and reach Turtuk, one of the only four Balti villages that fall on the Indian side of the border.
MAKAIBARI'S NEW EXPERIENTIAL STORE IN KOLKATA IS DESIGNED TO EVOKE A TEA PLANTER'S BUNGALOW.
Smell the tea, feel the carpets, enjoy the spaceââsuch is the invitation from Rudra Chatterjee, chairman of Obeetee and managing director of Luxmi Tea Group, at the launch of fine tea brand Makaibariâs experiential store in October, at the Taj Bengal in Kolkata.
ARTS OF HINDOSTAN PIECES TOGETHER A SHORT HISTORY OF THE MUGHAL FLOWER-FROM ITS ORIGIN IN ATELIERS IN MEDIEVAL INDIA TO ITS UBIQUITY ACROSS TIME.
The Mughal emperor Jahangir was famously enraptured by the beauty of flowering plants that he saw on his visit to Kashmir in the spring of 1620.
A FURNITURE-ARTWORK PAIRING COMES TOGETHER AS PAOLA LENTI'S CAMPANA BROTHERSDESIGNED BENCH IS REIMAGINED TO MATCH ARTIST HUGO YOSHIKAWA'S PLAYFUL STYLE.
Vegetation has been the central subject matter of many Hugo Yoshikawa artworks for the past few years.
FROM SCULPTURES TO JEWELLERY, ARTIST LYNDA BENGLIS'S DESIGNS FOR LOEWE FEATURED IN THE BANCA MARCH GARDEN IN MADRID EARLIER THIS YEAR.
This spring, when the gates of the private Banca March Garden in Madrid's Salamanca neighbourhood opened to the public, visitors could experience four monumental fountains, emerging from the ground and soaring towards the sky.
FERNS AND FLOWERS BLOOM ON TOD'S BAGS AND SHOES, A SPECIAL LINE DESIGNED BY RAHUL MISHRAâ NATURE BEING HIS CONSTANT MUSE.
India was once called âsone ki chidiyaâ (golden bird) for its abundance of resources, wealth and prosperity.