CLAIRE THOMAS-MORGAN asks her two giggling children and a neighborhood friend to play quietly before turning to walk down the hallway to the master bedroom. There, just off the back of the room, is her studio. With a soft click she closes the French doors. Silence. It’s a different world in here.“I lock the doors if I have to,” she says, laughing.
Inspired by the garments she was making for daughter Lyra, now 7, Thomas-Morgan started a line of children’s clothes, Vivi Design Studio, in 2014. Six years later, she’s outgrowing the studio space. The couple built the addition in 2016, when operating from the basement no longer seemed like a good idea, Thomas-Morgan recalls: “I would drop pins or something—the kids play down there—and I’d think, ‘No!’”
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Cut from the Same Cloth
âTurkey Tracksâ is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, sheâs taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondleâs small-batch fashion company based in St. Louis. âSAMANTHA STEVENSON
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