The color pink is one such common denominator. Her front door is pink and so is her kitchen décor. “I spent what feels like days and days of my life searching for a pink sink,” she says. (She found one at The Home Depot for $250.) From blush to fuchsia, shades of pink are sprinkled like sugar around the house and in the backyard, where Eilermann has set up an inflatable pink pool and striped beach umbrella. She recently replaced a pink sofa with a blue one from online retailer Joybird: “I knew I was never going to get a baby pink sofa again. I tried to be more mature about my couch decision, but I still wanted it to be fun.”
The entirety of Eilermann’s house on The Hill is fun. It’s light and bright with lots of windows. She chose white as a base and “added a bunch of color.” There’s a touch of Paris, too—also a source of joy for Eilermann—in the first-floor powder room, papered in Clare V. for Anthropologie Merci Flag.
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Cut from the Same Cloth
âTurkey Tracksâ is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, sheâs taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondleâs small-batch fashion company based in St. Louis. âSAMANTHA STEVENSON
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