Five designers, architects, and business owners reminisce about the early years of their careers— and offer advice.
Starting Out: I took over running the firm when my husband passed away 19 years ago. The challenge I faced was that I’m not an architect, not a designer, and now I’m running an architectural firm. There was blatant sexism and a huge pay disparity. It was impossible to have your voice heard. I’ve always been feisty, and I just took charge. Early on, I remember a client telling Mitch [her late husband, Mitchell Wall, with whom she co-founded the firm], “I don’t want to work with that pushy broad.” I was fortunate to have great advisors. Being a woman, I made sure to bring other women into the field and grow those women. Today, we’re a group of eight: We have three men and the rest are women, and there is no pay disparity.
Career Advice: Don’t be afraid of change. If you’re unhappy where you are, don’t settle. Don’t be afraid to move to a different firm. Don’t waste your time. We have a short amount of time on earth, so make sure where you’re working meets your design philosophy and that you’re comfortable in the work place.
SUSAN BOWER
PRINCIPAL, BOWER LEET DESIGN
Starting Out: When I started architecture school at the University of Kentucky, there were only a handful of women—literally five and one female instructor. A lot has changed. I think it’s a great time to be practicing as a woman. We’re getting a lot more positive press, and women are assuming more roles of responsibility. For female architects, there are two major challenges to face: lack of construction knowledge and the fact that there aren’t that many female clients, particularly in the corporate world.
この記事は DesignSTL の July/August 2018 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は DesignSTL の July/August 2018 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Cut from the Same Cloth
“Turkey Tracks” is a 19th-century quiltmaking pattern that has the appearance of little wandering feet. Patterns like the tracks, and their traditions and myths, have been passed down through the generations, from their frontier beginnings to today, where a generation of makers has embraced the material as a means of creating something new. Olivia Jondle is one such designer. Here, she’s taken an early turkey track-pattern quilt, cut it into various shapes, and stitched the pieces together, adding calico and other fabric remnants as needed. The result is a trench coat she calls the Pale Calico Coat. Her designs are for sale at The Rusty Bolt, Jondle’s small-batch fashion company based in St. Louis. —SAMANTHA STEVENSON
Color Block
A background in sculpture trained artist Aly Ytterberg to see objects more fully.
A Modern Story
How a little log cabin went from being a home to a guest house
IN GOOD TIME
With the help of interior designer Robert Idol, a Kirkwood couple creates a home that pays homage to the past, yet feels just right for their modern young family.
Let's Dish
"Food Raconteur” Ashok Nageshwaran wants to tell you a story.
The Right Move
New shops and showrooms bring exciting opportunities for local designers, makers, and arts organizations to sell their wares to home enthusiasts here and everywhere.
Green Dreams
Painter and gardener Lauren Knight branches out.
Cultivating Kokedama
Chris Mower of White Stable Farms discovered the Japanese style of gardening in Italy. Now, he’s bringing it to St. Louis.
Graphic Mood
Letters, icons, and illustrations that speak in a hand-drawn language
AUDRA's New Digs
Audra Noyes, of the Saint Louis Fashion Fund Incubator’s first class, opens an atelier in Ladue.