I was visiting the home of some architect friends in Massachusetts the first time I saw one of Peter Lane's clay installations in person. It was an eight-foot-high crevassed wall separating the living room from a smaller reading area. It had such obvious soul. As the day waned, its dips and crests created the most interesting shadows, reminding me of the Crystal Caves in Bermuda. I kept walking over to study the morphing light. It had this way of pulling you in.
この記事は Veranda の September - October 2022 版に掲載されています。
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この記事は Veranda の September - October 2022 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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LONDON CORDIAL
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The creative troupe that ruled the English countryside in the early 1900s had a muse wilder than its lifestyle: the Charleston garden, reborn here in four riotous arrangements.
ENCHANTED GLIN
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A new guard of English painters leads a resurgence of the deeply personal art form, capturing faces and figures in a fresh light
The Bold SPIRITS SPEYSIDE
Scotland's famed whisky region reemerges as a stunning epicenter of Celtic craft. Single malt in hand, writer Tracey Minkin joins gallerist and author Hugo Macdonald to discover its decorative arts bloom
