THE vicissitudes of the agricultural and political economy in Lincolnshire during the 20th century meant that it suffered the greatest number of losses of country houses anywhere in Britain. To encounter a well-restored and well-loved building such as Fulbeck House, therefore, a fine example of a compact residence built for a prosperous owner in about 1700, on the edge of Fulbeck village, is particularly uplifting and edifying. This is limestone country and the more substantial stone houses of this period often seem closely related, as if common products of a strong local building tradition. The more ambitious also appear to be aware of the great 1680s aristocratic seat of nearby Belton House and its 10-bay east façade, in particular.
Such is the case with the entrance front of Fulbeck House, which is constructed in coursed, locally quarried limestone with ashlar quoins (Fig 1). It stands two storeys high and possesses a hipped roof—now slate, but originally stone tile—inset with a pair of pedimented dormer windows. There is a deep eaves course on this front only and the architectural detailing is crisply carved; the tall windows with lugged architraves, a deep string course dividing the elevation and the central front door with an unusual segmental pediment ornamented with exaggerated modillions of an oddly Baroque character. To the south side of the door, two ground-floor windows retain early-18th-century (perhaps original) thick-profiled sash windows with smaller panes, 12 over 12, whereas the others are later-18th-century six over six and, to the north, later 19th century, with two panes only.
ãã®èšäºã¯ Country Life UK ã® January 12, 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Country Life UK ã® January 12, 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Happiness in small things
Putting life into perspective and forces of nature in farming
Colour vision
In an eye-baffling arrangement of geometric shapes, a sinister-looking clown and a little girl, Test Card F is one of televisionâs most enduring images, says Rob Crossan
'Without fever there is no creation'
Three of the top 10 operas performed worldwide are by the emotionally volatile Italian composer Giacomo Puccini, who died a century ago. Henrietta Bredin explains how his colourful life influenced his melodramatic plot lines
The colour revolution
Toxic, dull or fast-fading pigments had long made it tricky for artists to paint verdant scenes, but the 19th century ushered in a viridescent explosion of waterlili
Bullace for you
The distinction between plums, damsons and bullaces is sweetly subtle, boiling down to flavour and aesthetics, but donât eat the stones, warns John Wright
Lights, camera, action!
Three remarkable country houses, two of which have links to the film industry, the other the setting for a top-class croquet tournament, are anything but ordinary
I was on fire for you, where did you go?
In Iceland, a land with no monks or monkeys, our correspondent attempts to master the art of fishing lightâ for Salmo salar, by stroking the creases and dimples of the Midfjardara river like the features of a loved one
Bravery bevond belief
A teenager on his gap year who saved a boy and his father from being savaged by a crocodile is one of a host of heroic acts celebrated in a book to mark the 250th anniversary of the Royal Humane Society, says its author Rupert Uloth
Let's get to the bottom of this
Discovering a well on your property can be viewed as a blessing or a curse, but all's well that ends well, says Deborah Nicholls-Lee, as she examines the benefits of a personal water supply
Sing on, sweet bird
An essential component of our emotional relationship with the landscape, the mellifluous song of a thrush shapes the very foundation of human happiness, notes Mark Cocker, as he takes a closer look at this diverse family of birds