ON October 13, 1886, the septuagenarian Patrick Allan-Fraser was presented with the freedom of the burgh of his native Arbroath. It was an honour that, according to J. M. M’Bain’s Eminent Arbroathians (1897), ‘he appeared to value more highly than any of the others which had been conferred upon him’. M’Bain’s judgement rings true. In the course of his long life—funded through the inherited fortune of his wife, Elizabeth, which he managed skillfully—Allan-Fraser was an unusually energetic patron of the institutions and amenities of his home town, including its water supply, library and infirmary.
No less notable was the settlement of his estate when he died a few years later without issue on October 18, 1890. All his Scottish properties and possessions, including an impressive collection of drawings, paintings and sculpture, were placed in a trust with two clearly stipulated responsibilities.
One of these was to ‘provide for the comfortable maintenance and support’ of 10 ‘aged or infirm... painters, sculptors and literary men’. The other was to establish what was, in effect, a school for the Arts at his former home—also inherited through his wife— at Hospitalfield on the outskirts of the town.
この記事は Country Life UK の August 26, 2020 版に掲載されています。
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この記事は Country Life UK の August 26, 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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