Discover how to improve your scenic shots with Mark Bauer’s expert guide to perfecting your photos.
Landscape photography tends to look far easier than it is – and we can often return from a shoot in a stunning location somewhat disappointed with what we actually managed to capture. Dedicated landscape photographers know that they must constantly revisit a scene, sometimes several times over a number of years, in order to get the very best shot possible of that particular location. Over the next few pages, you will discover the techniques that Mark Bauer uses to ensure he gets the very best from a location.
Work with lightLight is the raw material of photography, which shapes and defines the landscape
As a landscape photographer, you need an understanding of the nuances of different lighting conditions and how they can affect your chosen subject. The main factors to consider are the direction and quality of light, as these shape the subject and create the mood of the image. To successfully shoot landscapes, you need to know what will best suit your subject and then plan accordingly.
Rural landscapes, particularly those with ranges of hills or mountains, really benefit from low side lighting, which reveals shape and texture, as well as adding depth; architectural subjects and coastal scenes with foreground interest also often look good in this light.
Backlighting can be very dramatic, with shadows racing towards the camera, emphasising shape and form. It works especially well with compositions based around bold, graphic subjects and is well suited to woodland scenes; you can also try silhouetting the main subject.
Front lighting, producing shadows that fall away from the camera, can make a scene appear flat and dull. However, with the sun low in the sky, it can provide excellent colour saturation; look for colourful subjects, or those that will reflect the natural warm tones of the sun, such as sandstone cliffs.
この記事は Digital Photographer の Issue 205 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は Digital Photographer の Issue 205 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Sigma 28-105mm f/2.8 Art
This is anot-so-standard zoom lens, as Matthew Richards discovers on a test drive
AstrHori 120mm f/2.8 Macro 2x
Matthew Richards finds out if double the magnification means couble the value
DxO PhotoLab 8 Elite
DXO's flagship editor gets an upgrade but, asks Rod Lawton, are the results worth it?
Panasonic Lumix GH7
Gareth Bevan thinks a new sensor and AF make this the hybrid camera to beat
STORM CHASE
Paige Vincent on the adrenaline rush, the risks and her passion for shooting in the face of storms
PROTECT YOUR IMAGES FROM AI
Pandora's box is open and, for better or worse, Alis here to stay. Here’s how you can protect your images from being used to train Al models without your permission
CREATE AI COMPOSITES
Serge Ramelli explains how to make AI work for you, by creating otherwise impossible portrait backgrounds
Paul Wilkinson's top 25... PORTRAIT TIPS & TRICKS
Even with so much information out there, taking perfect portraits can be hard work. Pro photographer Paul Wilkinson guides us through this huge genre with his pearls of wisdom
MASTER MINIMALISM
Less is more in the world of minimalism. Rebecca Greig explores what makes minimalist captures work
LITTLE WONDERS
Kim Bunermann meets Louise B to discuss the joys and challenges of working with newborns and freshly baked parents