ON WEDNESDAY, JANUARY 13, Randall Emmett presided over a crime scene near one of America’s few tropical rain forests in Trujillo Alto, Puerto Rico. Robert De Niro, dressed as a small-town Georgia sheriff, emerged from a sun-faded mobile home and walked solemnly past a black van marked coroner, looking like a man uneasy about the ordeal ahead of him. In Wash Me in the River, the feature film Emmett had just started shooting, that ordeal was to pursue a recovering opioid addict exacting revenge on the drug dealers he holds responsible for his fiancée’s death. Off-camera, De Niro’s ordeal was no less daunting—somehow, the great actor had to keep Hollywood’s worst filmmaker from ruining the movie they’d set out to make together.
この記事は New York magazine の March 29 - April 11, 2021 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は New York magazine の March 29 - April 11, 2021 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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