For Maggie Gyllenhaal, taking a role on The Deuce was a trust exercise, in more ways than one.
MAGGIE GYLLENHAAL and David Simon were having a civilized lunch one day when she mentioned, ever so calmly, that she wanted to masturbate on television. “I told him, and he sort of pretended to spit his water out,” she says, arranging her long body on the short wooden chair of a coffee shop not far from her Brooklyn brownstone. Gyllenhaal and Simon were discussing her role in The Deuce, the new HBO series from Simon, the creator of The Wire, and George Pellecanos, about the birth of the 42nd Street porn scene. Gyllenhaal had received the first three scripts as well as an offer to play Candy, a 1970s prostitute, which she thought would be “a very delicate thing to do in 2017.” The scripts were compelling, but Gyllenhaal didn’t know where her character’s story would go or what she, as an actor, would ultimately be asked to do. “When David called me, I said to him, ‘Obviously, my body is going to be required, but I also want to know that you’re interested in my mind. And that’s going to be part of what comes with having me in this process,’ ” she recalls now. “He was like, ‘I need you to trust me.’ And I was like, ‘I want to, but …’ ”
この記事は New York magazine の August 21–September 3, 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は New York magazine の August 21–September 3, 2017 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
