Reality TV Glows Up
New York magazine|October 12-25, 2020
Docuseries are television’s latest prestige offering, but they’re not so different from their trashier predecessors.
By Kathryn VanArendonk
Reality TV Glows Up

THERE’S A SCENE IN HBO’s NXIVM-cult docuseries, The Vow, that turned my initial idle curiosity into absurd, all-consuming obsession. At the end of the first episode, a former cult member named Mark Vicente gets emotional in the middle of a talking-head interview as he describes how NXIVM destroyed the early, tender part of his marriage. “I feel like my life with Bonnie was stolen,” Vicente says. “Bonnie got there first.” He’s referring to her realization that the organization they had devoted their lives to was a cult. Then, without any warning, the show skips back in time to an earlier moment of rupture between the couple, when Bonnie laid out her concerns about NXIVM to Mark. “There’s a lot of things I’m starting to see about the organization,” she tells him, while Mark tries to talk her off the ledge: “C’mon, boo. C’mon, c’mon.” “I think some things are going to crumble,” Bonnie says.

Cut to closing credits.

この記事は New York magazine の October 12-25, 2020 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

この記事は New York magazine の October 12-25, 2020 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

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