THE WORKING-CLASS SITCOM STRIKES BACK
New York magazine|July 04 - 17, 2022
A new crop of absurd comedies turn their nose up at the fantasy of upward mobility.
ROXANA HADADI
THE WORKING-CLASS SITCOM STRIKES BACK

CRAIG ROBINSON's bank security guard in Killing It is a man of belief. The character's father, who died interrupting a burglary, instilled in him the tenets of meritocracy and its rewards. If he only works hard enough at his dream of opening a saw-palmetto-berry farm that supplies pharmaceuticals, success will inevitably come. His conviction inspires his 4 a.m. pitch practice sessions and guides him into loan meetings with his employer and a potential investor. "This is everything that I've ever believed in," he pleads. "Please, reward my faith." Craig (also the name of Robinson's character) is speaking to viewers as much as he is to the slick moneyman listening to his proposal, whose swift rejection makes the show's villain clear: not so much the man himself but the fantasy of upward mobility.

この記事は New York magazine の July 04 - 17, 2022 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

この記事は New York magazine の July 04 - 17, 2022 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

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