ABBA'S MUSIC is immortal, Swedishly engineered to flood listeners' brains with dopamine until the sun explodes. The band itself, though, was never built to last. Its lineup included two married couples-Agnetha Fältskog and Björn Ulvaeus, and Benny Andersson and Anni-Frid Lyngstadwhose relationships ended in double divorce, triggering the group's 1982 split. ABBA's original career spanned just a decade; they stayed broken up for the next four, even while the Mamma Mia! movies and a relentlessly popular greatest-hits album made them more famous in this century than they'd been in the previous one. They were once offered $1 billion to reunite, but seemingly nothing could compel them back into business with their former spouses. "Money is not a factor," Ulvaeus once said. "We will never appear onstage again."
But then, this past May, they did. The occasion was the opening night of ABBA Voyage, their new virtual-concert residency in London, and they were there to take a bow for a performance they had not (technically) given. Voyage stars computer-generated clones of the band designed to look and sound like their 1979 selves. The real members, now in their 70s, spent a month in motion-capture suits working out the choreography but can now relax at home-separately-while their "ABBAtars" play "Dancing Queen," "Fernando," and "Waterloo" seven times a week, aided by a ten-piece live orchestra.
この記事は New York magazine の October 10, 2022 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は New York magazine の October 10, 2022 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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