What do we really know about Elton John?
There's an incident from early on in Elton John’s career that reminds us how peculiar it has been. The year was 1970. At the time, John was a pudgy, morose 22-year-old, a nobody on the English music scene who’d been able to record an album, Empty Sky, that had gone nowhere. His second album, self-titled, came out that spring. The first single from it, “Border Song,” was a flop. His label dug out a non-album track, “Rock and Roll Madonna,” as the second single. It was ignored. The label went back to the album, poked around some more, and made a third try, with a song called “Take Me to the Pilot.”
It wasn’t a hit.
By this time, John had finished a third album, Tumbleweed Connection, which was released that October. But then late in the year some radio DJs began to play the B-side of the “Pilot” single, which wasn’t a typical practice at the time. The B-side was a forlorn-sounding piano-based track. The first words of the song went, “It’s a little bit funny / This feeling inside …”
A few months later, in early 1971, “Your Song” was a top-ten hit in both the U.S. and the U.K., and is a standard today. Isn’t it weird that no one—no label execs, marketers, or journos—thought it was a single back then, or even notable? For some reason, even experienced music industry people at the time couldn’t “hear” the song.
この記事は New York magazine の October 29, 2018 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は New York magazine の October 29, 2018 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.
