George Clooney and friends adapt Catch-22 for TV.
THE CULTURAL DEBTowed to Joseph Heller’s antiwar satire, Catch-22, becomes clearer when you watch Hulu’s handsomely produced miniseries. It feels familiar, even old hat because so many subsequent works have borrowed from it. The alphabet-soup acronyms and Marx Brothers malaprops; the “Who’s on first?”–style nonsense conversations; the frat-house slapstick alternating with homosocial tenderness and fathomless horror; the baseline cynicism about whether any war, no matter how nobly justified, can ever be classified as “good.” These and other elements were integral to M*A*S*H, Apocalypse Now, and Full Metal Jacket, and they resonate in recent works like Sorry to Bother You, Atlanta, Archer, Patriot, and the recent HBO miniseries Chernobyl, which showed how the human tendencies toward tribalism, greed, and ass-covering can make anything worse, even a nuclear accident. So in that sense, there’s nothing new to see here.
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Trapped in Time
A woman relives the same day in a stunning Danish novel.
Polyphonic City
A SOFT, SHIMMERING beauty permeates the images of Mumbai that open Payal Kapadia's All We Imagine As Light. For all the nighttime bustle on display-the heave of people, the constant activity and chaos-Kapadia shoots with a flair for the illusory.
Lear at the Fountain of Youth
Kenneth Branagh's production is nipped, tucked, and facile.
A Belfast Lad Goes Home
After playing some iconic Americans, Anthony Boyle is a beloved IRA commander in a riveting new series about the Troubles.
The Pluck of the Irish
Artists from the Indiana-size island continue to dominate popular culture. Online, they've gained a rep as the \"good Europeans.\"
Houston's on Houston
The Corner Store is like an upscale chain for downtown scene-chasers.
A Brownstone That's Pink Inside
Artist Vivian Reiss's Murray Hill house of whimsy.
These Jeans Made Me Gay
The Citizens of Humanity Horseshoe pants complete my queer style.
Manic, STONED, Throttle, No Brakes
Less than six months after her Gagosian sölu show, the artist JAMIAN JULIANO-VILLAND lost her gallery and all her money and was preparing for an exhibition with two the biggest living American artists.
WHO EVER THOUGHT THAT BRIGHT PINK MEAT THAT LASTS FOR WEEKS WAS A GOOD IDEA?
Deli Meat Is Rotten