ON FRIDAY, March 13, as the coronavirus bore down on New York City, there was no reason to expect Estela would be busy. For the past week and a half, Ignacio Mattos’s celebrated restaurant on East Houston Street had been eerily slow with diners increasingly worried about sitting near each other in enclosed spaces. Earlier that day, something jarring had happened: A series of iconic, successful New York restaurants had closed. Eric Ripert had shut Le Bernardin, his three- Michelin-star seafood temple, and furloughed his 180 employees; Danny Meyer’s Union Square Hospitality Group had closed its 19 restaurants and laid off 2,000 employees. The previous day, the city had mandated that all restaurants cut capacity by 50 percent. At Estela, this meant its usual 13 seats at the bar were reduced to six and its 42 dining room seats to 21.
But there Estela was, humming with frenetic energy. Before the evening was out, the restaurant would serve 112 people. To fit them into half the space, managers rearranged reservations and asked customers for flexibility in giving up their tables for other diners when needed. Beautiful plates of cured fluke with uni, burrata with salsa verde and charred bread, and fried arroz negro with squid and romesco came out of the kitchen. Guests were understanding if they had to walk around the block or have a drink at the bar downstairs before their seats were ready, and the restaurant did what it could to keep the tables turning smoothly. “We’d splash them a little after-dinner drink and move them to the bar,” Mattos later said.
この記事は New York magazine の April 13 - 26, 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は New York magazine の April 13 - 26, 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Early and Often: David Freedlander - Momentum vs. Machine The Trump and Harris campaigns battle it out for every last vote.
WIth two weeks left to go, the contours of the 2024 presidential election are clear: Both campaigns need voters who usually don’t vote, and Kamala Harris needs to bring the Democratic coalition, including its Trump-curious members, back home.While the Republican side plans to spend the remaining days of the contest trying to lure low-propensity voters to the polls, the Harris team will attempt to persuade voters of color to return to its side and will try to increase numbers among white voters in previously red suburbs.
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but “there was something off about them,” he told me recently. He summarized a typical example: “Usually, it begins with the phrase ‘In the year 2250-something’ and then it goes on to say the Earth’s environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And then—they’ve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.” Clarke said he had received “dozens of this story in various incarnations.”
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.