Cecil Chao presses a button at the desk where he begins his workday each morning, and his voice echoes around the four-storey modernist-inspired mansion he designed himself some 40 years ago in Pok Fu Lam, before there were even streetlights on the roads.
“Bring some ice cream and a spoon,” he commands, and they arrive on a gilded platter seconds later. The 83-year-old property tycoon pushes up the sleeves of his leather jacket—orange, Italian, probably python, by Fabio Caviglia—revealing an all-diamond watch from Piaget on his left wrist, and dips into a pint of vanilla Häagen-Dazs, still in its carton, as he ponders how to answer a question about his legacy.
“My life, and I think that of every person living in this world, is for just one purpose”, he says, “and this is happiness.”
The gated entrance of his home—called Happy Lodge—is one of the few signposts of the ultra-rich that is easily recognisable to Hongkongers as they pass along Victoria Road on the western side of the island. Several members of the Chao family reside there, right alongside some of their tenants in the surrounding, and expanding, luxury condominium complex known as Villa Cecil that is owned by Cheuk Nang Holdings, of which Cecil is executive chairman. His red and white Rolls-Royce, which bears the vanity licence plate “CECIL”, is hard to miss in the car park, as were his once frequent arrivals by helicopter during the years when he cultivated an image as one of the city’s most flamboyant and decadent playboys. It is rumoured that prospective tenants, at one point, were prohibited in their leases from filing noise complaints.
ãã®èšäºã¯ Tatler Hong Kong ã® September 2020 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Tatler Hong Kong ã® September 2020 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
THE LAST WORD
Every issue, we ask our cover star a round of quickfire questions that give us a little more insight into their personalities. This month: Gulf Kanawut lays it bare
WOMEN AT THE WICKET
Asia's women's cricket teams from outside the Indian subcontinent have been rapidly rising up through the ranks, creating opportunities, breaking barriers and changing the game as they go
TIME TURNER
A 2024 Turner Prize nominee, British Filipino artist Pio Abad talks to Tatler about carrying on family legacy, unearthing historical connections and why the Philippines is always at the core of his work
ROYAL RICHES
Ahead of the opening of Prince and the Peacock, Black Sheep Restaurants' latest establishment, Tatler joins the hospitality group on a culinary pilgrimage to India
MAKING HER POINT
Foil fencer Daphne Chan is happy to see the rising interest in her sport since Cheung Ka-long's historic win, and is headed to the Games with impressive wins behind her. But she's not allowing the pressure to get to her, and is most excited about who she might meet in Paris
IN IT TO WIN IT
Hong Kong freestyle swimmer Ian Ho, whose Instagram handle @Amphlb_ian playfully alludes to his aquatic prowess, competed at the 2020 Summer Olympics in Tokyo and won silver in the men's 50 metres freestyle at the 2023 Asian Games in Hangzhou. This month, he will represent Hong Kong at the Paris Olympics. He talks to Tatler about making Hong Kong proud, life as a student and professional athlete-and why relaxing is the way forward
UNFINISHED BUSINESS
Two-time Olympic swimmer Camille Cheng thought Tokyo 2020 would be her last Games, but competing in Paris was too big a draw for the French Chinese athlete
INTRIGUE AND INTRICACIES
Parisian artist Ugo Gattoni takes us through his elaborately designed poster for the Olympics and Paralympics in his home city this month
Crafting a New Legacy
Nicholas Lieou, creative director of high jewellery at Chow Tai Fook Jewellery Group, is reimagining jewellery, as the brand celebrates its 95th anniversary
A Lasting Legacy
Tatler explores Cartier's latest Watches and Wonders novelties with the maison's image, style and heritage director, who explains how the luxury house continues to create designs that are relevant today, yet rooted in legacy