Noir Master Dennis Lehane Finds Drama at the Extremes

The critically acclaimed writer behind "Gone Baby Gone," "Mystic River," "Shutter Island" and more sits down with Playboy to discuss writing, relationships and personal demons

- JOE IDE

Dennis Lehane knows how to thrill. The best-selling author brings his trademark twists and turns to Since We Fell, his 14th and latest novel—but craftsman that he is, he never lets readers lose sight of his characters. Since We Fell tells a story that is chilling, moving and absolutely hair-raising. (Read The Sparrow, PLAYBOY’s exclusive excerpt of Since We Fell), out today from HarperCollins.)

The story takes place in and around Boston—the location of many classic Lehane tales and, indeed, where the author grew up. As we spoke over the phone, I found Lehane approachable, formidable and decidedly confident, and also slightly guarded. That’s not unusual for someone frequently in the spotlight, but perhaps it might be a residual effect of growing up on the mean streets of Dorchester. Back then, the Boston neighborhood had the country’s highest murder rate. The experience clearly toughened him. More than that, it made him acutely aware of his environment and the people in it—ever watchful for telling insights, hostile intentions and what might be waiting around the bend. This awareness is evident in his writing. Lehane’s observations are keen and perceptive, his characters full and specific. Take, for example, Rachel Childs, the main character of Since We Fell. Her journey moves her from successful journalist to housebound agoraphobe to—well, we won’t spoil the story, but suffice it to say that Rachel experiences astounding and compelling character growth.