As she prepares for the release of her third studio album Hunter, we tracked down the Tele-wielding, creative firebrand to Fender’s Artist Showroom in London
Anna Calvi earned immediate acclaim from critics, music fans and guitar players alike with the release of her eponymous debut album in 2011. It was a powerful introduction to a remarkable guitarist and, like her follow-up album One Breath released in 2013, was deservedly nominated for the Mercury Prize. Seven years on, with stacks of fevered and unforgettable performances chalked up, Anna is preparing for the release of her third studio long player: the visceral and wildly sensual Hunter.
Taking advantage of a short pause in an impressive tour schedule that runs well into next year, Guitarist travelled over to Fender’s Artist Centre near Kings Cross to meet up with Anna and discover more about how she approaches her hard hitting music, her unique and eloquently wild brand of guitar playing – which has its roots in her classical violin training – and the ageless utility of a battered Tele...
That sense of wildness from your shows translated really well on Hunter…
“Yeah, there’s always this place between really knowing what you’re doing and trying to be a master of your instrument, but then also being right on the edge of the cliff where you don’t know what’s going to happen – that feeling of just going for it and not worrying whether it fails or not, y’know? Because sometimes it does fail, but other times what your fingers are doing feels like a really direct connection with something very honest inside. It doesn’t happen very often, but when it does it feels good.”
How do you get into that mindset?
ãã®èšäºã¯ Guitarist ã® September 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Guitarist ã® September 2018 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more