Released in 1959, the single P-90 pickup ES-330T and dual P-90 ES-330TD models represent decades of innovation as Gibson’s premier double-cutaway thinline hollowbody electric archtops. The ES-330’s lineage can be traced back to 1936 when Gibson released their first Electric Spanish (ES) archtop guitar, the ES-150, a jazzbox electrified with a ‘blade’ single-coil pickup (commonly referred to as a ‘Charlie Christian’ pickup).
In 1938, the ES-150 was followed up by a “less expensive” alternative, the ES-100 (renamed the ES-125 in 1941), and in 1939, the top-of-the-range ES-250 appeared (soon replaced, in 1940, by the ES-300).
Initial sales of Gibson’s novel Electric Spanish guitar range proved encouraging. During this period, the electric guitar was beginning to find its voice as a lead instrument, while cutting-edge players such as Charlie Christian increasingly stepped away from the shadows of the rhythm section and into the limelight of centre stage. However, World War 2 temporarily halted further advancements at Gibson as far as electric guitars go and production stopped over the next couple of years. By the end of the war, Gibson was under new ownership, having been acquired by distributors Chicago Musical Instruments (CMI) in 1944, and with a fresh injection of cash, production of the ES range recommenced in earnest, albeit with some major design alterations and enhancements.
By 1946, a revised ES range consisted of the ES-125, ES-150 and ES-300, with Gibson’s first regular production Venetian/ rounded cutaway electric model, the ES-350 Premier, making its debut in 1947. Guitars from this ES line-up feature a laminate body design. At the time, this was deemed a more cost-effective and practical solution (as opposed to the solid construction of the pre-war ES range) and set the standard for future ES production.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
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\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
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STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more