As readers who have followed previous installments of this Longterm Test will know, I sold an ES-335 that I was using for a Hendrix/ Cream tribute gig, plus used a bit of extra savings, to get a reissue ES-330.
As I use a fair amount of effects, the change of voice from Strat-and-335 to 330 has prompted a rethink of what drive pedals I use. For the Jimi/Cream gig, my main drive pedal was the excellent .45 Caliber by J Rockett Audio Designs. The .45 Caliber is designed to sound like a JTM45 and, in terms of my earlier gig, it worked a treat. What I was looking for there was something with a clear, mid-rich voice that kicked the amp in the pants and fattened up the Strat’s single coils without being over the top on the gain side of things. As it turned out, it worked well with the 335, too, and really helped me evoke the sound of two legendary Plexi-playing bands.
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QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more