The roots of the Fender brand were put down in a humble Californian radio workshop in the summer of 1946, following Doc Kauffman’s amicable departure from his and Leo Fender’s K&F lap steel/amplifier manufacturing venture. Later that year, Leo established the first Fender factory operation locally in Fullerton in order to continue expanding production and, by 1949, had simultaneously progressed the concept of a solid body ‘electric Spanish’ guitar into the prototype phase, paving the way for the release of the Esquire and Broadcaster in 1950 (the Broadcaster was renamed the Telecaster in 1951).
As the company grew, a new bespoke factory building was erected and with the release of these seminal models – followed by the introduction of the revolutionary Precision Bass in 1951 and Stratocaster in 1954 – Fender enjoyed unparalleled success as the world’s first mass producer of solid-body electric guitars.
Fender’s Mexican connection dates back to the early days of the ‘golden era’ period of production in Fullerton, California, which was bolstered by a partially Mexican- American workforce – some of whom, such as Abigail Ybarra and Tadeo Gomez, have since become prominent names in Fender lore. They were not so much ‘master craftspeople’ as members of a solid, dependable team who facilitated Leo’s vision of a streamlined guitar-building facility while operating custom spec machinery to produce instruments at scale and with consistency – an art in itself and the key to Fender’s initial success.
ãã®èšäºã¯ Guitarist ã® October 2019 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Guitarist ã® October 2019 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
QUICK CHANGE
As Gibson finally adds some Quick Connect pickups to its Pickup Shop line-up, Dave Burrluck revisits this simple no-solder method to mod your Modern guitar
Return Of The Rack
A revered rackmount digital delay makes a welcome comeback in pedal form.
Pure Filth
This all-analogue preamp pedal based on Blues Saraceno's amp is a flexible powerhouse with a variety of roles.
Reptile Royalty
From Queen to King - there's another Electro-Harmonix royal vying for the crown of octave distortion
Tradition Revisited
Line 6 refreshes its Helix-based modelling amp range by doubling the number of available amp voicings - and more
Ramble On
Furch's travel guitar folds down so you can transport it in its own custom backpack and, the company claims, it returns to pitch when you reassemble it. Innovation or gimmick?
Redrawing The 'Bird
A fascinating reimagining of one of Gibson's more out-there designs, the Gravitas sticks with vintage vibe and mojo. Oh, and that sound...
1965 Fender Jazz Bass
\"They made them later on, but it's not something I've ever seen this early.
Boss Cube Street II
Regular readers will know that the last time I took the Boss Cube Street II out, I was in rehearsal for a debut gig in London.
STILL CRAZY
One of the most creative yet reliably great-sounding effects makers out there, Crazy Tube Circuits grew out of a fetish for old valve amps. We meet founder Christos Ntaifotis to find out more