A racially themed road-trip drama stays within the white lines.
The 1967 Best Picture Oscar went to In the Heat of the Night, a muggy potboiler in which Rod Steiger’s Southern redneck cop shed his prejudice by working alongside Sidney Poitier’s black detective. That film set a precedent. It became the model for Hollywood pieties about racism in America: a fantasy of conciliation and harmony – can’t we all just get along? Novelist and critic James Baldwin saw through it. In the Heat of the Night, he said, was astounding for “the speed with which it moves from one preposterous proposition to another”, searching for ways to make a racist white police chief a hero.
この記事は New Zealand Listener の January 26 - February 1, 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は New Zealand Listener の January 26 - February 1, 2019 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
First-world problem
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Applying intelligence to AI
I call it the 'Terminator Effect', based on the premise that thinking machines took over the world.
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Grasping the nettle
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Me and my guitar
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Time is on my side
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The kids are not alright
Nuanced account details how China's blessed generation has been replaced by one consumed by fear and hopelessness.