There they were, sweethearts Chad and Nadia, bedding down in a cozy floating home more than 12 miles off the coast of Thailand. Like any other vacationing couple, they shot videos to share with friends online. They had a 360-degree oceanfront view, with calm, sparkling blue water stretching out as far as the eye could see. Popping champagne, they were delighted by the “thousand million stars” they felt they could see at night.
But the pleasure of those views of sea and stars had an unexpectedly high cost: In April, the Thai navy hit them with threats of arrest for a capital crime. That moment of rare communion with the setting sun, from a 6-square-meter octagonal hut attached to a 20-meter-tall spar anchored in the Andaman Sea, seriously threatened the sovereignty of Thailand—or so that nation claimed. At a likely cost of about $1 million, three Royal Thai Navy boats dragged the hut back to shore.
As the Bangkok Post reported, the Thai navy insisted that Chad and Nadia’s small floating part-time home violated Section 119 of the Criminal Code, which “concerns any acts that cause the country or parts of it to fall under the sovereignty of a foreign state or deterioration of the state’s independence.” Worse still: “It is punishable by death or life imprisonment.”
For Chad Elwartowski and his now-wife Nadia Summergirl (her chosen name; the Thai native was previously Supranee Thepdet), the problem wasn’t their tiny hut with the glorious view per se. It wasn’t really about the specific thing they did. The problem was the idea motivating the otherwise generally untroubling act of dwelling atop the ocean, something that the fishing boats they often saw from their floating home do every day. They wanted to be pioneers in an experiment combining political independence, self-sufficiency, space travel, and personal liberty.
ãã®èšäºã¯ Reason magazine ã® November 2019 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Reason magazine ã® November 2019 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
THE REAL THREAT IS AN ISOLATED CHINA
DECOUPLING FROM TRADE WILL MAKE THE U.S. POORER AND CHINA MORE TOTALITARIAN.
Against Our Own Best Souls'
SISTER HELEN PREJEAN ON HERLIFE ASA WITNESS ON DEATH ROW
'THE POLITICS HAVE COME TO US'
HOW A CHRISTIAN CHARITY IN EL PASO ENDED UP AT WAR WITH THE TEXAS GOVERNMENT FOR HELPING UNDOCUMENTED IMMIGRANTS
MATERIEL LOSS
HOW THE U.S. MILITARY BUSTS ITS BUDGET ON WASTEFUL, CARELESS, AND UNNECESSARY 'SELF-LICKING ICE CREAM CONES'
'NOT A SUICIDE PACT'
HOW A 1949 SUPREME COURT DISSENT GAVE BIRTH TO A MEME THAT SUBVERTS FREE SPEECH AND CIVIL LIBERTIES
HOW MUSK CAN HELP TRUMP CUT TRILLIONS
DURING PRESIDENT DONALD Trumpâs first term in office, the national debt increased by $8 trillionâdue, in large part, to huge spending hikes that Congress passed and Trump signed.
THE IMPROBABLE RISE OF MAGA-MUSK
IS ELON MUSK A REACTIONARY WITHA DEFECTIVE BULLSHIT METER OR THE BEST PART OF THE SECOND TRUMP ADMINISTRATION?
A Free-Range Family
RIGHT NOW, CHILDHOOD is intensely meh. Maybe you read the recent report in The Journal of Pediatrics that said that as kids' independence and free play have gone down, their anxiety and depression have been going up.
Educulture Wars
THE CULTURE WAR is costing school districts billions, according to a report released in October 2024 by the UCLA Institute for Democracy, Education, and Access. The report surveyed superintendents at 467 school districts nationwide about extra expenditures they undertook because of increased conflict over culture war issues such as critical race theory, book chal- lenges, gender-related debates, and other politicized topics. The report estimates that such fights cost school districts around $3.2 billion during the 2023-2024 school year.
Q&A Penny Lane
PENNY LANE'S NEW Netflix documentary, Confessions of a Good Samaritan, delves into her life-changing decision to donate a kidney to a stranger. Known for her thoughtful and provocative storytelling, Lane has explored human connection and empathy in films such as Hail Satan? and The Pain of Others. Last October she spoke with Reason's Nick Gillespie and shared her emotional, physical, and philosophical experience with anonymous kidney donation and the challenges that came with it.