In early September 2019, the Central Public Works Department issued a press notice inviting competing proposals from architects for a project to redevelop Delhi’s Central Vista. The precinct came into being as a colonial project to symbolise British rule and was appropriated after independence to become the seat of the new nation’s power. It houses Rashtrapati Bhavan, the parliament building, major ministries, national cultural institutions and the iconic India Gate with its surrounding lawns.
The government seems to be in a tearing hurry to execute the project. In the short space of seven weeks, it completed all stages of the competition: the submission of expressions of interest, the shortlisting of eligible architects, the preparation of designs by the candidates, the evaluation of those designs, financial bids and, finally, the selection itself. The timeline for completion of the project is ambitious. A new parliament building is to be constructed by July 2022, a new central secretariat by March 2024, and the Central Vista’s landscape is to be reshaped by November this year.
Ideally, for an undertaking of such national significance, the government should have cast as wide a net as possible, both for ideas and firms. This did not happen. Eligibility criteria specifying minimum thresholds on financial turnover and project sizes handled were structured to limit participation to the very largest architectural firms. There was clearly no desire to follow the internationally established precedent of a two-stage competition, in which the first stage seeks to maximise ideas on the table, from which a few are shortlisted for further development by selected architects—either on their own or through partnership with a larger firm—in a second stage. Only six firms were deemed eligible and submitted proposals.
この記事は The Caravan の February 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です ? サインイン
この記事は The Caravan の February 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Mob Mentality
How the Modi government fuels a dangerous vigilantism
RIP TIDES
Shahidul Alam’s exploration of Bangladeshi photography and activism
Trickle-down Effect
Nepal–India tensions have advanced from the diplomatic level to the public sphere
Editor's Pick
ON 23 SEPTEMBER 1950, the diplomat Ralph Bunche, seen here addressing the 1965 Selma to Montgomery March, was awarded the Nobel Peace Prize. The first black Nobel laureate, Bunche was awarded the prize for his efforts in ending the 1948 Arab–Israeli War.
Shades of The Grey
A Pune bakery rejects the rigid binaries of everyday life / Gender
Scorched Hearths
A photographer-nurse recalls the Delhi violence
Licence to Kill
A photojournalist’s account of documenting the Delhi violence
CRIME AND PREJUDICE
The BJP and Delhi Police’s hand in the Delhi violence
Bled Dry
How India exploits health workers
The Bookshelf: The Man Who Learnt To Fly But Could Not Land
This 2013 novel, newly translated, follows the trajectory of its protagonist, KTN Kottoor.