Alistair Campbell
As the Technique Editor for our sister magazine Digital Camera, Alistair writes about a broad range of photographic genres. For this feature he has kindly put aside some time to discuss the benefits of using gels and also gives some tips for controlling ambient light with an artificial source. digitalcameraworld.com
Rory Lewis
Renowned for his oil painting-inspired lighting style Rory is an expert in controlling flash and shaping light to bring out drama and detail. This makes him the perfect tutor in how to use flash modifiers to direct light to the key areas of the subject and scene. Read his step-by-step tutorial over on p46. rorylewis.studio
Flash is a tricky aspect of photography to learn. If used incorrectly, the artificial light can spoil the ambience of an image, introduce harsh shadows and highlights and bring out unwanted textures. It can also create unnatural colour casts, draining the life and energy from the subject of an image. For these reasons, newcomers to photography decide quite quickly that flash should be avoided, except as a last resort.
The truth is quite the opposite. In many circumstances, flash can transform an image into something magical, vastly increasing the contrast, depth and colour fidelity.
Without flash, the photographer is reliant on natural light, which can be difficult to control. It is not possible to adjust the colour temperature and intensity of sunlight, we don't have the freedom to reposition the light source, nor the direction and angle of the shadows as they fall across our subject.
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Apply a stylised detail enhancement
Give your photos a movie aesthetic with the bleach bypass effect in Photoshop
Sony FE 16-25mm f/2.8 G
Matthew Richards investigates this lightweight wide-angle zoom lens with a unique focal range
Nikon Z 28-400mm f/4-8 VR
This lens offers everything from wide-angle to super-telephoto reach, says Matthew Richards
Novo Helix T50 Carbon Fibre Tripod
Adam Waring discovers an unfeasibly small yet feature-packed travel tripod
OM System OM-1 Mark II
James Artaius finds the OM-1 Mark II has features that you wish your camera did
How do I get into events photography?
Jules Renahan, owner of Jules Renahan Photography and co-founder of PhotoHound, tells us what to expect when photographing events
Career advice
This issue, Claire Gillo looks at the logistics behind running a photography business and talks to an events photographer
My dream photo kit
With help from used camera gear specialists MPB, we've created an expert photographer's fantasy camera kitbag
Create wet plate portraits
Recreate the collodion process for enhanced detail
Fine-tune colour and saturation
Use Lightroom's extensive controls to enhance individual colours in your shots