I respond to emergency calls or attend training events at their departments or throughout the state to get these images.
I accomplish the behind-the-scenes work by spending a day or more with an individual or a department. I photograph the daily events, training, and calls and then document the visit and interviews as part of my Portrait of a Responder project.
My gear varies based on my shooting situation. For example, I have a 17mm or 17-85mm lens camera when shooting inside a vehicle. I will use a tight strap to help steady the shoot and keep gear out of the way. When shooting a fire scene or training event, I use two cameras, one with a 17-85mm for scene shoots and my immediate area. I have a 70-200mm on the second camera for distant shots and capture portraits of the responders in action. I do not use flash on night fire or accident scenes but adjust my position or ISO to compensate as much as I can. The emergency lights and scene lights also provide supplemental and impactful lighting.
The first responder portraits for my Portrait of a Responder project are an opportunity to pull together equipment, uniforms, and gear with bright or contrasting color combinations. I shoot most responder portraits with a 17-85mm lens and prefer afternoon sunlight as my light source. I will use flash or continuous lighting when indoors.
ãã®èšäºã¯ Lens Magazine ã® February 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Lens Magazine ã® February 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
IN THE SHIPYARDS OF DHAKA
A very large shipyard in Dhaka is located on the Buriganga River's banks, directly across Dhaka's old city.
Aga Szydlik INDIA
A JOURNEY INTO THE LAND OF DIVERSITY, CULTURE, AND COLORS
SEBASTIAN PIÃREK EXPLORING Enjoyable LANDSCAPE
I retrieved the idea of nature closely linked to the field of human feelings.
The Extreme Macro Photography of Bees
AN INTERVIEW SAM WITH, DROEGE
JEAN KAROTKIN GYMNOPEDIES
Gymnopédies, Karotkin's ongoing series of botanical portraits, takes its name from a trio of piano compositions by 19th-century French composer Erik Satie.
BUTTERFLIES IN LOVE WITH FLOWERS
I sometimes think Chinese art is not fully appreciated in the West. I was exposed to it growing up in Australia, although my fascination was more with calligraphy.
Lissa Hahn:
Hahn: HOW TO EVOKE A PAVLOVIAN RESPONSE IN HUMANS
AN EXCLUSIVE INTERVIEW WITH ELENA PARASKEVA
Elena Paraskeva is an internationally acclaimed, award-winning Conceptual Photographer and Art Director and, most recently, an official ADOBE instructor.
From a Living Hell to Heaven on Earth: the Inhumanity and Humanity of Humans
In a remote area of western Wisconsin, dogs and cats who otherwise would have ended up on death row are given a reprieve. They can now live out their lives in peace and comfort and with companionship at Home for Life (HFL), which was not afforded them outside the sanctuary's gates.
The Art of DISAPPEARING
In the classical proposal, indigenous people are usually the topic of discussion, but rarely do they have a hand in shaping it.