SEASCAPES
Lens Magazine|December 2020
The exploration of my relationship with forest landscapes has always been a central theme of my photographic practice; how it formed, evolved, and continues to change.
- ELLIE DAVIES
SEASCAPES

I have considered our contemporary and collective sense of alienation from the natural world, the theoretical perceptions of beauty and the sublime, and the commodification of landscape as a leisure facility and resource. My work reflects on how our personal experiences of, and interactions with, landscape are shaped by the wider cultural perceptions of forests, which come to us through the colored prisms of storytelling and mythology, literature, fine art, and the more contemporary narratives of climate change.

ELLIE DAVIES

SEASCAPES, 2020

Seascapes is a meditation on climate change; rising sea levels and frequent extreme weather events have to lead to more serious flooding worldwide.

In the winter of 2019/2020, the New Forest in the South of England, where I grew up and make most of my work, experienced a succession of storms that generated extensive winter-long flooding.

These images are imagined scenes about a potential future where water flows over the woodlands, and flooding becomes a permanent landscape feature.

I wanted the series to speak about change, loss of control, and the unknown. In some images, the water that flows across dusk-darkened woodlands is ruptured by roiling currents rushing inland. In others, the forest is virtually obscured by bubbling water. However alluring, this sparkling insurgency is altogether darker and more dangerous; reflected light captured from the sea's surface now appears in forest spaces where it was never meant to be.

この蚘事は Lens Magazine の December 2020 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、9,000 以䞊の雑誌や新聞にアクセスしおください。

この蚘事は Lens Magazine の December 2020 版に掲茉されおいたす。

7 日間の Magzter GOLD 無料トラむアルを開始しお、䜕千もの厳遞されたプレミアム ストヌリヌ、9,000 以䞊の雑誌や新聞にアクセスしおください。

LENS MAGAZINEのその他の蚘事すべお衚瀺
IN THE SHIPYARDS OF DHAKA
Lens Magazine

IN THE SHIPYARDS OF DHAKA

A very large shipyard in Dhaka is located on the Buriganga River's banks, directly across Dhaka's old city.

time-read
3 分  |
February 2023 - The Colorful Issue
Aga Szydlik INDIA
Lens Magazine

Aga Szydlik INDIA

A JOURNEY INTO THE LAND OF DIVERSITY, CULTURE, AND COLORS

time-read
2 分  |
February 2023 - The Colorful Issue
SEBASTIAN PIÓREK EXPLORING Enjoyable LANDSCAPE
Lens Magazine

SEBASTIAN PIÓREK EXPLORING Enjoyable LANDSCAPE

I retrieved the idea of nature closely linked to the field of human feelings.

time-read
1 min  |
February 2023 - The Colorful Issue
The Extreme Macro Photography of Bees
Lens Magazine

The Extreme Macro Photography of Bees

AN INTERVIEW SAM WITH, DROEGE

time-read
4 分  |
February 2023 - The Colorful Issue
JEAN KAROTKIN GYMNOPEDIES
Lens Magazine

JEAN KAROTKIN GYMNOPEDIES

Gymnopédies, Karotkin's ongoing series of botanical portraits, takes its name from a trio of piano compositions by 19th-century French composer Erik Satie.

time-read
3 分  |
February 2023 - The Colorful Issue
BUTTERFLIES IN LOVE WITH FLOWERS
Lens Magazine

BUTTERFLIES IN LOVE WITH FLOWERS

I sometimes think Chinese art is not fully appreciated in the West. I was exposed to it growing up in Australia, although my fascination was more with calligraphy.

time-read
2 分  |
February 2023 - The Colorful Issue
Lissa Hahn:
Lens Magazine

Lissa Hahn:

Hahn: HOW TO EVOKE A PAVLOVIAN RESPONSE IN HUMANS

time-read
7 分  |
February 2023 - The Colorful Issue
AN EXCLUSIVE INTERVIEW WITH ELENA PARASKEVA
Lens Magazine

AN EXCLUSIVE INTERVIEW WITH ELENA PARASKEVA

Elena Paraskeva is an internationally acclaimed, award-winning Conceptual Photographer and Art Director and, most recently, an official ADOBE instructor.

time-read
8 分  |
February 2023 - The Colorful Issue
From a Living Hell to Heaven on Earth: the Inhumanity and Humanity of Humans
Lens Magazine

From a Living Hell to Heaven on Earth: the Inhumanity and Humanity of Humans

In a remote area of western Wisconsin, dogs and cats who otherwise would have ended up on death row are given a reprieve. They can now live out their lives in peace and comfort and with companionship at Home for Life (HFL), which was not afforded them outside the sanctuary's gates.

time-read
8 分  |
November 2022 Humanity
The Art of DISAPPEARING
Lens Magazine

The Art of DISAPPEARING

In the classical proposal, indigenous people are usually the topic of discussion, but rarely do they have a hand in shaping it.

time-read
3 分  |
November 2022 Humanity