The great divide between scientific and mystical views of reality lands on the question of our subjective awareness. Measures can be made of physiological and behavioural effects of meditation practices, but it is much harder to demonstrate objectively the transformative experiences that a seeker may undergo in a disciplined practice over years.
Ultimately it comes down to how someone feels. This domain of feeling is so extraordinary and intricate in our subjectivity, and yet it has often been quite disregarded as the source of our capacity to orientate and connect with our environment. The word “feeling” is ambiguous in the English language. It includes both emotions and the more diffuse area of perception. In its medieval origins it meant the physical sensation of touch through experience or perception. Touch remains the most helpful way of capturing the lived experience of feeling as we encounter daily life. The domain of feeling is continuously flowing through a shifting synthesis of qualities and textures as an overall array of diffuse meaning coloring and sculpting our responses and moods.
Music is a primordial expression of such feeling. Within our current dominant scientific discourse, the fact that such a feeling array is informing us of much more than our physical and mental state is not yet articulated. Yet from the perspective of perennial philosophies, within the experience of feeling are all the domains of our subtle fields of consciousness.
この記事は Heartfulness eMagazine の March 20201 版に掲載されています。
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この記事は Heartfulness eMagazine の March 20201 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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