The Breakout: Keeping Cookie Fresh
The team behind Empire is facing a problem the Lyons family knows all too well: How do you follow a hit?
Lee Daniels Slouches down into one of the beige sofas in the lobby bar of the Beverly Hilton, warily eyeing the young man arriving for his shift behind the piano—“He better not! Or we gonna have to move”—and waiting for the margarita he is drinking to kick in. Daniels seems to be in several performative moods at once—ebullience, righteous dudgeon, and confessional intimacy—while keeping an eye on how his listener responds to each. But there is a lot distracting him these days.
He is here on this August afternoon after promoting the triumphal second season of the soapy pop juggernaut he co-created, Empire, before the members of the Television Critics Association, who had assembled, MacBooks open, in the hotel ballroom, to be fed the fall season by the Fox publicity team. Daniels was on a panel with Empire’s showrunner, Ilene Chaiken, best known for creating The L Word; Empire’s producer, Brian Grazer; and Taraji P. Henson, the actress who, by playing the indomitable ex-con ex-wife Cookie Lyons, has become one of the most famous women in America and was recently nominated for an Emmy.
The TCA event is more ritualistic than journalistic, as reporters stand and wait to be handed the mike to recite their questions. One reporter had asked, with exquisite codedness, why it was that “general market audiences” might be so interested in this type of show. “Do you see a little bit of Suge [Knight] in Cookie?” he’d wanted to know. Daniels had responded archly: “There’s a lot of sugar in Cookie!”
ãã®èšäºã¯ New York magazine ã® Sep 7â20, 2015 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ New York magazine ã® Sep 7â20, 2015 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Drowning in Slop - A thriving underground economy is clogging the internet with AI garbage-and it's only going to get worse.
SLOP started seeping into Neil Clarke's life in late 2022. Something strange was happening at Clarkesworld, the magazine. Clarke had founded in 2006 and built into a pillar of the world of speculative fiction. Submissions were increasing rapidly, but âthere was something off about them,â he told me recently. He summarized a typical example: âUsually, it begins with the phrase âIn the year 2250-somethingâ and then it goes on to say the Earthâs environment is in collapse and there are only three scientists who can save us. Then it describes them in great detail, each one with its own paragraph. And thenâtheyâve solved it! You know, it skips a major plot element, and the final scene is a celebration out of the ending of Star Wars.â Clarke said he had received âdozens of this story in various incarnations.â
The City Politic- The Other Eric Adams Scandal The NYPD shot a fare evader, a cop, and two bystanders. He defends it.
On Sunday, September 15, Derell Mickles hopped a turnstile, got asked to leave by cops, then entered the subway again ten minutes later through an emergency exit. This was at the Sutter Avenue L station, out by his mother's house, five stops from the end of the line. Police said they noticed he was holding a folded knife. They followed him up the stairs to the elevated train, asking him 38 times to drop the weapon.
Can the Media Survive?
BIG TECH, Feckless Owners, CORD-CUTTERS, RESTIVE STAFF, Smaller Audiences ... and the Return of PRINT?
Status Update
Hannah Gadsby's fascinatingly untidy tour through life after fame and death.
A Matter of Perspective
A Matter of Perspective Steve McQueen's worst film is still a solid WWII drama.
Creator, Destroyer
A retrospective reveals an architect's vision, optimism, and supreme arrogance.
In Praise of Bad Readers
In a time of war, there is a danger in surveying the world as if it were a novel.
Trust the Kieran Culkin Process
First, he nearly dropped out of Oscar hopeful A Real Pain. Then he convinced Jesse Eisenberg to change the way he directs.
The Funniest Vampires on TV
What We Do in the Shadows is coming to an end. Its idiosyncratic brand of comedy may be too.
The Water-Tower Penthouse
Gigi Loizzo and Angel Molina's apartment on the Grand Concourse in the Bronx looks out on Yankee Stadium.