That’s because the screen material itself lacks “wow” factor, and it typically doesn’t get tagged with the sexy marketing buzzwords associated with other home theater gear. But selecting the right screen for a video system is crucial since the screen ultimately will serve to either enhance or reduce your projector’s performance.
While new screens rarely generate noise at trade shows like CEDIA, one news item at the 2019 show was the introduction of the fourth generation of Stewart Filmscreen’s popular StudioTek 130 (ST130) screen material. This certainly perked my ears up since I considered the previous generation ST130 to be one of the best screen materials on the market. Stewart claimed to have improved the design to optimize performance for today’s more detailed and dynamic 4K/HDR sources. I immediately expressed interest in getting a review sample and the company was happy to provide one.
BEHIND THE SCENES
I previously reviewed Stewart Filmscreen’s StudioTek 100 (ST100) screen for Sound & Vision in 2014 (available at soundandvision.com). Before I started that review, I had been using a third-generation StudioTek 130 screen almost exclusively for over a decade. In 2014, some significant industry shifts occurred. For one, with the transition to 4K underway, projectors were delivering better detail. And with the 3D craze also in full swing, they were getting brighter. Instead of calibrating a projection system for a peak screen brightness of around 8-12 foot-lamberts, projection enthusiasts were starting to shoot for higher numbers.
この記事は Sound & Vision の April - May 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Sound & Vision の April - May 2020 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
The Big Clean
Chances are you probably do not think about the state of your electronic devices too often. Oh, you might think about all the upgrades you would like to make; where you would put those new tower speakers, or how a second or third subwoofer would really tame those bass modes in your room, or how much more cinematic a larger screen would be. Sure, you think about that part of your system. But how often do you think about the well-being of your system?
Planar-Magnetic Attraction
THE DIPTYQUE DP 115 speakers are a new model 2-way, ribbon, and planar magnetic driver dipole \"isodynamic\" speaker system designed and built in France.
Full-Featured 4K
THE QN95D is one of two televisions we went hands-on with on a recent trip to Samsung's New Jersey QA Lab, the other being the S95D quantum-dot OLED.
Party Animal
FOR ANY party, the Soundcore Boom 2 Plus Outdoor Bass Bluetooth Speaker is an essential invite.
It's the End of the World. How About Popcorn and a Movie?
Attention all preppers! Today's column is right up your alley-or, more precisely-your tunnel to your underground bunker.
Bridging the Analog-Digital Gap on a Recliner
When I shopped for a motorized recliner, I rejected models with their own Internet Protocol address and built-in speakers. No need. I had already placed a smart speaker on an étagère beside the space where I had planned to put the chair. I'd have a smartphone in my hand and the room would be bathed in Wi-Fi.
BACK TO THE GARDEN
AN AQUARIAN EXPOSITION in WHITE LAKE, N.Y.
Big Sound, Small Price
DOLBY ATMOS, once a costly premium, is enjoying a surge of popularity across a range of new audio gear.
Classic Sound with Streaming Smarts
THE TWENTIETH century had its Roaring Twenties; welcome to the twenty-first's Streaming Twenties.
Stand and Deliver
IT DOESN'T seem all that long ago that SVS first entered the audio scene.
