It was the lackluster mise-en-scène of a Wagner opera that ignited Mariano Fortuny's interest in lighting. The painter, fashion designer, and innovator couldn't understand why in 1893, despite the recent invention of the light bulb, outdated sets were still being lit with gas lamps. In his attic studio in Venice's Palazzo Martinengo, Fortuny tinkered, discovering that when light reflected off a piece of paper, it could illuminate an entire room; use a colored surface and you could bathe the sets in a hue. Voilà: indirect lighting.
"It is not the quantity, but the quality of light that makes things visible," mused Fortuny, who would soon take his findings offstage and into the home.
この記事は Architectural Digest US の September 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は Architectural Digest US の September 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
Elements of Style - Charlotte Macaux Perelman and Alexis Fabry celebrate 10 years of artistic exploration at Hermès
Last March, Hermès brought its home universe to life in eye-popping fashion at a one-night-only extravaganza staged at the Barker Hangar in Santa Monica. The lavish performance featured dozens of dancers showcasing the French luxury house's furniture, tableware, textiles, and decorative objects in elaborately choreographed vignettes that seemed to riff on the unboxing ritual so popular on social media-a supersized spectacle of conjuring magic from ordinary crates. The event also coincided with the 10th anniversary of Charlotte Macaux Perelman and Alexis Fabry's tenure as artistic directors of the Hermès home division.
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