The exhibition will highlight over 30 impressive pieces of artwork by around 15 of the gallery's signature artists in a variety of subject matter and theme-all in celebration of both the gallery's decade-long service in offering contemporary and classical realism, and the many talented artists that have graced the walls.
"The genius behind Principle Gallery is our artists," shares Frank Conrad Russen, gallery director. "The past 10 years flew by because of their dedication, support and passion in working with us. My job as director would not exist without these fantastic individuals. We will be featuring a curated selection of signature paintings by noted national and international artists who have been with the gallery for the 10 years we've been in business. This list includes Geoffrey Johnson, Colin Fraser, Mark Laguë, Nicolas Martin, Carlos Morago, Lynn Boggess, Christine Lashley, Kyle Sutckey, Michele Kortbawi Wilk, Anna Wypych, Maya Kulenovic, Karen Hollingsworth and many more."
Attendees to the exhibition will find paintings that capture the scenery of the Charleston area, in addition to works that reflect the themes and styles for which the artists are best known. Christine Lashley's waterscape oil painting Blue Water Shallows, depicts a scene from the Charleston waterway. "[This piece] is a new painting of a favorite motif of mine," the artist notes. "Water, transparency and the subtle shifts of light on a watery landscape have fascinated me for a long time."
この記事は American Art Collector の September 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は American Art Collector の September 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
FULL EXPOSURE
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Autumnal Light
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Art for All
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An Enchanting Evening
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Timeless Tales
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Coming off his series that focused on San Francisco and Los Angeles freeway signs, artist Eric Nash’s sights are now set on New York. Now on view at George Billis Gallery's Manhattan location are seven of Nash's new oil paintings and two drawings that explore the signage of New York City freeways. Although Nash's work is tightly rendered, he doesn’t consider himself a photorealist, but rather someone who utilizes those techniques to express ideas.
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Those familiar with Geoffrey Johnson's populated by inky figures and trailing shadows that bleed into the wet streets, and architectural elements obscured to varying degrees by the misty atmosphere.
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