Shuvinai Ashoona
Frieze|Issue 243 - May 2024
Crawling with tentacled creatures, flipper-footed beasts and beaked hybrids, Shuvinai Ashoona’s colourful pencil drawings are playful and fantastical depictions of Inuit life in the Canadian Arctic.
Nevan Spier
Shuvinai Ashoona

My GG’s Camp (2022) – the first work of her solo show, ‘When I Draw’, at The Perimeter – portrays a family travelling over the ice on a dog sled, an imagined scene drawn from the nomadic past of the Inuit people of Kinngait, where Ashoona lives and works. Consisting of just over a thousand residents, Kinngait sits in the northernmost territory of Nunavut. It is home to Canada’s longest-running print studio, operated by the Inuit-owned West Baffin Cooperative since its formation in 1959. The remote settlement, previously known as Cape Dorset, is considered the most artistic community in Canada and the setting for Ashoona’s uncanny compositions.

この記事は Frieze の Issue 243 - May 2024 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

この記事は Frieze の Issue 243 - May 2024 版に掲載されています。

7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。

FRIEZEのその他の記事すべて表示
I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'
Frieze

I'm trying to follow my instinct: to have confidence and not get into my head too much about what other people are expecting.'

Conversation: Ahead of a solo show at London’s Cubitt Gallery, Marlene Smith speaks to Lubaina Himid about her time in the BLK Art Group, friendship and collaboration

time-read
8 分  |
Issue 243 - June - August 2024
Tell It Slant
Frieze

Tell It Slant

Built Environment: Giovanna Silva on photographing history through unexpected architectural interventions

time-read
2 分  |
Issue 243 - June - August 2024
Dean Sameshima
Frieze

Dean Sameshima

What does it mean to be alone? In Dean Sameshima’s recent body of work – 25 monochrome photographs of queer men in Berlin porn theatres with sumptuous black negative spaces and blinding white cinema screens – ‘alone’ is a complicated term.

time-read
2 分  |
Issue 243 - June - August 2024
Nicole Wermers
Frieze

Nicole Wermers

Nicole Wermers’s Reclining Female #6 (2024) looks out over Glasgow.

time-read
2 分  |
Issue 243 - June - August 2024
Greater Toronto Art 2024
Frieze

Greater Toronto Art 2024

Museum of Contemporary Art, Toronto, Canada

time-read
2 分  |
Issue 243 - June - August 2024
Echoes of the Brother Countries
Frieze

Echoes of the Brother Countries

In recent years, the former German Democratic Republic (DDR) has been the subject of a reappraisal that, while not seeking to redeem the stiflingly authoritarian state, has attempted to present a more nuanced overview of its social and cultural realities.

time-read
2 分  |
Issue 243 - June - August 2024
Pierre Huyghe
Frieze

Pierre Huyghe

A pale tetra fish swims around a vast obsidian tank, while another bobs on its side at the top of the water, perhaps ailing from debilitating swim bladder disease (Circadian Dilemma [El Día del Ojo], 2017).

time-read
4 分  |
Issue 243 - June - August 2024
Inward Yearnings
Frieze

Inward Yearnings

Essay: Rianna Jade Parker retraces the history of the Jamaican intuitives, a group of self-taught artists who ushered in a national form of artmaking mythologizing African traditions through religious divination and esteem-raising cultural work

time-read
8 分  |
Issue 243 - June - August 2024
The Promise of the Past
Frieze

The Promise of the Past

Built Environment: On the occasion of the ‘Tropical Modernism’ exhibition at the Victoria and Albert Museum, Derin Fadina examines the architectural movement’s exclusionary narratives

time-read
5 分  |
Issue 243 - June - August 2024
Where Is Everyone?
Frieze

Where Is Everyone?

Built Environment: Minoru Nomata’s paintings ask why we obsess over unpeopled architecture

time-read
3 分  |
Issue 243 - June - August 2024