
I have a passion for painting the glow Lof backlit fruit. I love painting all subjects, but once I discovered the beautiful effects of backlighting on semitransparent subjects like citrus fruits, I knew I had found a lasting source of inspiration. Backlighting provides great drama and can be a unique departure from traditional frontal lighting. The vivid colors of glowing citrus flesh are a true joy to paint!
I find inspiration for my paintings when I remember to keep my eyes open to the beauty that is all around us. Sometimes beauty can be easy to overlook, but it can be found even in something as mundane as a piece of fruit. After I choose my subject, my next consideration is the lighting. I try setting the subject at all different angles to the light source until I find the angle that gives the effect I desire. In order to make the fruit glow, the light must be placed to the side or behind the fruit so it shines through the semi-transparent pulp. I spend hours moving the items in a still life until I find the most interesting aspects from which to paint them.
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Step by Step: Capturing Expression
I painted Olivier as part of a demonstration for my Wednesday online class. The month's theme was \"Alla Prima Portrait Expressions,\" focusing on capturing dynamic emotion in a static image.

Intuitive response
My work is known for its raw, dynamic energy and freshness.

The Portrait Society of America Chairman's Letter Educate, Inspire, Connect
Ralph Waldo Emerson said, \"How much of human life is lost in waiting.\"

No Place Like Home
Focusing on color mixing and composition, Kayla Martell paints blissful interior scenes

Moved by Instinct
Inspired by the beauty of nature, Jean Haines' watercolors bloom with spontaneity

BACK-UP PLAN
An overview of the data storage options for all of the digital files that make up your art business

Apex Predators
Growing up in Kenya surrounded by nature, Guy Combes talks about the passions of painting wildlife

Skyscapes
Ksenya Verse highlights the intricate textures, variability and sculptural nature of clouds

Something beguiling
In watercolor, I work exclusively with transparent pigments, carefully building textural effects through multiple glazes (sometimes up to five or six layers) to achieve dimension and detail in my realistic watercolors.

HUNCHES ARE BUILT UPON WISDOM
Harley Brown's fascinating things no one else will tell you