
In 1997 had been publishing Australian Artist magazine for 13 years. From its very first issue it immediately became the bestselling art magazine in the country available by subscription and on the newsstands. The existing magazines in Australia at the time were mostly low circulation journals focusing on art criticism, art history and museums-hardly a mention of the living artists creating great paintings in the here and now. And certainly nothing about the inspiration and technique artists used in making their work.
Such was the success of Australian Artist, the magazine for artists by artists, that I got to thinking it might be a good idea to extend this winning concept to a wider audience. Today Australia, tomorrow the world!
Looking at the artists' magazines being published in other countries in 1997 I saw that, while each publication covered their local artists well enough, that's where they stopped. I had a gut feeling that practicing artists around the world would be more than interested to see what artists in other countries were creating and all the different subjects and techniques they were using. That's when I decided to take the plunge and launch International Artist magazine to a worldwide audience available by subscription only.
I knew I needed three things if this new magazine was going to work:
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Step by Step: Capturing Expression
I painted Olivier as part of a demonstration for my Wednesday online class. The month's theme was \"Alla Prima Portrait Expressions,\" focusing on capturing dynamic emotion in a static image.

Intuitive response
My work is known for its raw, dynamic energy and freshness.

The Portrait Society of America Chairman's Letter Educate, Inspire, Connect
Ralph Waldo Emerson said, \"How much of human life is lost in waiting.\"

No Place Like Home
Focusing on color mixing and composition, Kayla Martell paints blissful interior scenes

Moved by Instinct
Inspired by the beauty of nature, Jean Haines' watercolors bloom with spontaneity

BACK-UP PLAN
An overview of the data storage options for all of the digital files that make up your art business

Apex Predators
Growing up in Kenya surrounded by nature, Guy Combes talks about the passions of painting wildlife

Skyscapes
Ksenya Verse highlights the intricate textures, variability and sculptural nature of clouds

Something beguiling
In watercolor, I work exclusively with transparent pigments, carefully building textural effects through multiple glazes (sometimes up to five or six layers) to achieve dimension and detail in my realistic watercolors.

HUNCHES ARE BUILT UPON WISDOM
Harley Brown's fascinating things no one else will tell you