Larger-than-life, 'cinematic' beats have become such a mainstay of soundtracks, TV idents and advertising that they're almost part of the media wallpaper. Take a quick surf through Saturday night TV or any number of recent movie blockbusters and you'll be bombarded with huge, epic percussion sounds. Listen a little closer and you'll hear that these sounds, although rooted in real instruments, can also sound 'otherworldly', which only adds to their mystery and overall epic feel. To get straight to the point of this tutorial, achieving these cinematic sounds is primarily a case of careful sound selection and appropriate effects processing.
Our first step, then, is to put together a set of core sounds that we know will deliver. We'll cherry-pick from 'world' and orchestral percussion to get a good sonic spread. You should be able to find these sounds in most DAWS or the instruments we suggest.
We can also find plenty of percussive greatness in everyday sounds and objects. To that end, we'll be looking at more unusual sources and 'found' sounds, too, in our quest to push the boundaries of percussion.
With our sound set sorted, we'll guide you through some programming basics in order to help you get the patterns you're used to hearing. We'll then move on to look at processing the sounds in context using EQ, reverb, exciters and stereo enhancement.
Finally, it's worth saying that if you'd rather just go for some high quality ready made sounds, there are some truly excellent sample libraries out there - Sample Logic Trailer Xpressions 2 and Heavyocity Damage 2 are two particularly good examples - that work wellrecorded source material into mix-ready epic sounds. For raw core sounds that you can process yourself, it's also worth checking out Project Sam's True Strike series, Vir2 World Impact and Native Instruments' West Africa Kontakt library, among many others.
ãã®èšäºã¯ Computer Music ã® September 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ Computer Music ã® September 2022 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
Sonuscore The Score $399 PC MAC
The Score comes up with a film soundtrack based on your stylistic choices, but thatâs just the start of it. Andy Jones scores The Score
Baby Audio Humanoid $129 PC MAC
Humanoid brings the âextremeâ and âradicalâ to the world of vocals, but is also one of the easiest plugins to use and abuse, says Andy Jones
The Synth Factory Horizen $129 PC MAC
A synth/sampler that packs in a lot of power at an almost silly price - despite its low profile, Andy Jones gazes at Horizen...
Flow Mastering Suite $15/month PC MAC
Mastering your music just got as easy or as complex as you want. But, Andy Jones asks, is it worth yet another monthly subscription?
Universal Audio LA-6176 $299 PC MAC
UA has bundled three of its classic emulations into one channel strip. Is this analogue dream your ideal plugin team? Andy Jones finds out
Rack'em up...
IK Multimedia has announced a comprehensive update to its mixing and mastering software, T-RackS, that brings some smart mastering additions
FX Collection 5 â¬499
Arturia's huge bundle of effects gets its regular update and it's still easily as essential as the company's V Collection
Make a pulsing bass with GForce Axxess
Get mechanical, with a garage-inspired bass patch, which gets right to the pulsing heart of the Axxess synthesiser
The software that shaped us
Computer Music has had a 25-year history, and over the life of this magazine, the technology behind music production has changed beyond recognition. Here are the products that set the stage for the modern worldâŠ
PERFECT VIRTUAL GUITAR!
Need a great guitar sound, but lacking any guitar-playing contacts, or the skills to play it yourself? Have no fear, your computer is here! With a few pointers, buying advice and hands-on tips, you and your PC or Mac can emulate the greatest guitarists in the worldâŠ