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Eilish takes her time in a song, sometimes crawling through a melody.
Earlier this year, the singer and songwriter Billie Eilish, who is twenty two, became the youngest two-time Oscar winner in history, collecting the Best Original Song award for “What Was I Made For?,” a delicate existential ballad that she co-wrote for the film “Barbie.” (She also won in 2022, for “No Time to Die,” a moody and portentous Bond theme.) Incidentally, Eilish is also the youngest person ever to have a clean sweep of all four of the main Grammy categories (Best New Artist, Record of the Year, Song of the Year, and Album of the Year), which she achieved in 2020, for her début LP, “When We All Fall Asleep, Where Do We Go?” At that year’s ceremony, moments before Album of the Year was announced, Eilish can be seen mouthing, “Please don’t be me”; onstage, standing alongside her brother Finneas O’Connell, who is also her co-writer and producer, she seemed bewildered, if not mortified. “We wrote an album about depression, and suicidal thoughts, and climate change,” O’Connell told the crowd. “We stand up here confused and grateful.” It’s both heartening and slightly mystifying that Eilish, who writes sombre, idiosyncratic, gothtinged electro-pop about her loneliness and boredom, has become such a lodestone for industry accolades. “Man am I the greatest / God I hate it,” Eilish sings on “The Greatest,” a forlorn, walloping song from her compact but powerful new album, “Hit Me Hard and Soft,” which was just released.
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![SUBJECT AND OBJECT SUBJECT AND OBJECT](https://reseuro.magzter.com/100x125/articles/8859/1989915/to6VeZYHB1739191198720/SUBJECT-AND-OBJECT.jpg)
SUBJECT AND OBJECT
What happened when Lillian Ross profiled Ernest Hemingway.
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The fall of red.
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Roz Chast on George Booth's Cartoons
There's almost nothing I like more than a laughing fit. It is a non-brain response, like an orgasm or a sneeze.
![CHUKA CHUKA](https://reseuro.magzter.com/100x125/articles/8859/1989915/ipIKlzJlU1739190624506/CHUKA.jpg)
CHUKA
I have always longed to be known, truly known, by another human being. Sometimes we live for years with yearnings that we cannot name.
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Rachel Aviv on Janet Malcolm's "Trouble in the Archives"
As Janet Malcolm worked on \"Trouble in the Archives,\" a two-part piece about prominent psychoanalysts who disagreed about Freud, she began a correspondence with Kurt Eissler, the head of the Sigmund Freud Archives.
![PERSONAL HISTORY - A VISIT TO MADAM BEDI PERSONAL HISTORY - A VISIT TO MADAM BEDI](https://reseuro.magzter.com/100x125/articles/8859/1989915/2oD61HcWT1739188467373/PERSONAL-HISTORY-A-VISIT-TO-MADAM-BEDI.jpg)
PERSONAL HISTORY - A VISIT TO MADAM BEDI
I was estranged from my own mother, so a friend tried to lend me his.
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Editors, writers, and the making of a magazine.
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LIVE FROM NEW YORK
A new docuseries commemorates fifty years of \"Saturday Night Live.\"
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TANGLED WEB
An arachnophobe pays homage to the spider.
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TROUBLE IN PARADISE
Mike White's mischievous morality plays.