“What am I gonna do when I get over you?” the singer Chris Stapleton asks on “What Am I Gonna Do,” the opening track of his new album, “Higher.” Stapleton, like every big-voiced country singer worth his Stetson, recognizes that few feelings are richer—more generative, more vivid, more flush—than fresh heartache. The song, which was written with Miranda Lambert, frets over what happens when the trembling and the yearning and the fear finally give way to more mundane emotions—ambivalence or, worse, acceptance. “What am I gonna drink/When I don’t have to think/About what I’m gonna do without you?” Stapleton worries. The fact that a broken heart can mend is insulting to the grandeur and the spectacle of love. When you’re in the business of singing burly, sorrowful tunes about the capriciousness of relationships, sometimes the cure is worse than the disease. Or, as he puts it in another new song, “When there’s a day I can live without you, baby, it’ll be the day I die.”
この記事は The New Yorker の November 27, 2023 版に掲載されています。
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この記事は The New Yorker の November 27, 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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