The Whitehouse Farm murders were an unusual case, because from the outset there were only two plausible killers.
Whitehouse Farm stood in open fields, facing the bleak Essex salt marshes, its columned portico lit by the moon. It was a midsummer night, nearing 4 A.M., when a patrol car sped toward the property. Three police officers got out at the end of the driveway, and a silver car pulled up behind. The driver, Jeremy Bamber, was the twenty-four-year-old scion of a local farming dynasty; his parents, Nevill and June, occupied the Whitehouse. Bamber had phoned the police half an hour earlier to report a panicked call from his father. His sister, Sheila, had âgone berserk,â he said. Her six-year-old twin sons were asleep upstairs, and she had a gun.
Two of the officers told Bamber to follow them. The Whitehouse lay around a bend, concealed by tall trees, and they crept through the darkness until its rear wall came into view. Lights were shining in three windows: the kitchen, a bathroom, and the bedroom where Sheilaâs twins were sleeping. But the only sound from within was the faint whining of a dog. They cut across a field to the front, where light filtered through the curtains of the master bedroom. Seeing a shadow looming at the window, the men ducked behind a hedge and braced for shots. When none came, they raced back toward the patrol car, the officers radioing for reinforcements.
At the car, Bamber made a confession. The previous night, before heading home from work on the farm, he had taken his fatherâs .22 Anschutz rifle out to shoot rabbitsâand he had left the weapon in the kitchen, its magazine still loaded. âOh, God,â he said. âI hope she hasnât done anything silly.â
ãã®èšäºã¯ The New Yorker ã® August 05, 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ The New Yorker ã® August 05, 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
HOLIDAY PUNCH
\"Cult of Love\" on. Broadway and \"No President\" at the Skirball.
THE ARCHIVIST
Belle da Costa Greene's hidden story.
OCCUPY PARADISE
How radical was John Milton?
CHAOS THEORY
What professional organizers know about our lives.
UP FROM URKEL
\"Family Matters\" and Jaleel White's legacy.
OUTSIDE MAN
How Brady Corbet turned artistic frustration into an American epic.
STIRRING STUFF
A secret history of risotto.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
THE ORCHESTRA IS THE STAR
The Berlin Philharmonic doesn't need a domineering maestro.
HEAD CASE
Paul Valéry's ascetic modernism.