Barbra Streisand arrives on the screen, in âFunny Girl,â when the movies are in desperate need of her. The timing is perfect. Thereâs hardly a star in American movies today, and if weâve got so used to the absence of stars that we no longer think about it much, weâve also lost one of the great pleasures of moviegoing: watching incandescent people up there, more intense and dazzling than people we ordinarily encounter in life, and far more charming than the extraordinary people we encounter, because the ones on the screen are objects of pure contemplationâlike athletes all wound up in the stress of competitionâand we donât have to undergo the frenzy or the risks of being involved with them. In life, fantastically gifted people, people who are driven, can be too much to handle; they can be a pain. In plays, in opera, theyâre divine, and on the screen, where they can be seen in their perfection, and where weâre even safer from them, theyâre more divine.
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MIRROR IMAGES
âA Different Manâ and The Substance.â
THE FOOTBALL BRO
Pat McAfee brings a casual new style to ESPN.
OTHER PEOPLE'S MONEY
Proximity to wealth proves perilous in Rumaan Alamâ novel Entitlement.â
EYES WIDE SHUT
How Monet shared a private world.
WITH THE MOSTEST
The very rich hours of Pamela Harriman.
HUGO HAMILTON AUTOBAHN
On the Autobahn outside Frankfurt. November. The fields were covered in a thin sheet of snow.
TRY IT ON
How Law Roach reimagined red-carpet style.
SORRY I'M NOT YOUR CLOWN TODAY
Bowen Yang's trip to Oz, by way of conversion therapy and S..N.L.â
SNIFF TEST
A maverick perfumer tries to make his mark on a storied fashion house.
LET'S HAVE A LONG TALK ABOUT OUR RELATIONSHIP JUST BEFORE BED!
Babe, are you nodding off? I know weâre both exhausted after a long day, a dinner party at which you made a three-word comment that left me feeling like you donât know me at all, and the subsequent ninety-minute fight that culminated in a tentative truce.