There’s an old video of the pitcher Daniel Bard that still surfaces from time to time. It’s a scorching Monday afternoon in August, 2010. The Red Sox are facing the Yankees, in the Bronx, and need a win to stay in the playoff chase. Bard, a right-handed reliever for Boston, has come into the game to replace the Red Sox ace, Jon Lester. The Sox are clinging to a 2–0 lead, but the Yankees have the bases loaded, with one out, and the superstar shortstop Derek Jeter is at bat.
Trouble is a reliever’s common condition. Bard seems undaunted. His first pitch to Jeter is a fastball inside. Strike one. He hurls another, hitting the upper nineties again. Strike two. The third pitch, captured on the video, is just shy of a hundred miles per hour, high and away. As he releases the ball, his right leg twirls behind him. Jeter swings through it, and sheepishly returns to the dugout. Next up, Nick Swisher, another All-Star.
Bard is six-four and broad-shouldered. When he stands very still, as he does between pitches, it’s difficult to see where the strength to throw a ball so hard comes from. Not from his arms or his chest: despite his height, he is not imposing. Instead, his power comes from his looseness, from the mobility of his hips and his shoulders. When he begins his motion, his right arm curls so far behind him that, from the batter’s point of view, it seems to touch second base before unfurling toward third as his legs drive his body toward home. Then the ball snaps off his fingers and his right arm whips toward first base; his tongue sticks out the whole time.
この記事は The New Yorker の June 19, 2023 版に掲載されています。
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この記事は The New Yorker の June 19, 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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