Many years ago, I was deliberating over a purchase. I was in my early twenties, deeply susceptible to clothing that spoke to Y2K anxiety. Think North Face-adjacent activewear for people who largely avoid physical exertion. The piece in question was a hooded gray jacket; although it lacked any of the futuristic, weatherproof materials prized by people who actually go outside, I was drawn to all the pockets—a festival of zippers, Velcro flaps, and mesh webbing. There was an interior pocket the size of a wallet, and one perfect for a pack of cigarettes. There were roomy, quilted slash pockets along the side that were ample enough for gloves or a Discman—this was the early two-thousands—and two generous chest pockets with Velcro enclosures. I checked one of them, and realized it was detachable, with a series of built-in microfibre dividers inside. The pocket was really a slim CD wallet. I was sold.
Many of us have bought items of clothing simply because of clever pockets— for me, a pair of jeans with a hidden compartment the size of a dime bag along the seam of the inner thigh is particularly memorable. But is this pocket preoccupation purely a matter of pragmatism or does it reflect some deeper psychological need?
From CDs to seeds, coins, beads: human beings have always carried things with them, and for much of our history a satchel worn around the neck, or a pouch attached at the waist, sufficed. In medieval times, men and women alike wore small bags tied to their waist or suspended by belts. For privacy, people layered clothing over these bags, cutting slits to provide easy access to their possessions. And then, at some point in the sixteenth century, European men began asking their tailors for pockets.
ãã®èšäºã¯ The New Yorker ã® September 25, 2023 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ The New Yorker ã® September 25, 2023 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
THE ST. ALWYNN GIRLS AT SEA SHEILA HETI
There was a general sadness that day on the ship. Dani was walking listlessly from cabin to cabin, delivering little paper flyers announcing the talent show at the end of the month. She had made them the previous week; then had come news that the boys' ship would not be attending. It almost wasn't worth handing out flyers at allâalmost as if the show had been cancelled. The boys' ship had changed course; it was now going to be near Gibraltar on the night of the performanceânowhere near where their ship would be, in the middle of the North Atlantic sea. Every girl in school had already heard Dani sing and knew that her voice was strong and good. The important thing was for Sebastien to know. Now Sebastien would never know, and it might be months before she would see him againâif she ever would see him again. All she had to look forward to now were his letters, and they were only delivered once a week, and no matter how closely Dani examined them, she could never have perfect confidence that he loved her, because of all his mentions of a girlfriend back home.
WHEELS UP
Can the U.K.âs Foreign Secretary negotiate a course between the E.U. and President Trump?
A CRITIC AT LARGE - CHECK THIS OUT
If you think apps and social media are ruining our ability to concentrate, you haven't been paying attention.
PARTY FAVORS
Perle Mesta and the golden age of the Washington hostess.
CHARLOTTE'S PLACE
Living with the ghost of a cinéma-vérité pioneer.
THE CURRENT CINEMA - GHOST'S-EYE VIEW
âPresence.â
MILLENNIALS: WHERE ARE THEY NOW?
Fame is fickle, and no one knows this better than millennials. Once, they were everywhereâin television laugh tracks for âThe Big Bang Theory,â in breathless think pieces about social-media narcissism, and acting the fool in 360p YouTube comedy videos. Thenâpoof! Gone like yesterdayâs avocado toast.
ANNALS OF INQUIRY: CHASING A DREAM
What insomniacs know.
THE MASTER BUILDER
Norman Foster's empire of image control.
INTIMATE PROJECTS DEPT. THE GOLDFISH BOWL
There are roughly eight hundred galleries that hold the permanent collection of the Met, and as of a recent Tuesday morning the married writers Dan and Becky Okrent had examined every piece in all but two.