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He felt kind of embarrassed—but why, and in front of whom? He had heard good things about the app and he didn’t want to run “alone.” A voice to keep him company: it was like that Ray Bradbury story he’d read so many times when he was young. Even after he knew its trick, the story was still compelling. In it, an automated voice in a house says things like “Nine-fifteen, time to clean,” “Which poem would you like this evening?,” and “Since you express no preference, I shall select a poem at random.” Eventually, it becomes clear that a nuclear apocalypse, or something of that sort, has wiped out the family and probably humanity, but that the house persists, trying to tend to people who will never return. Did they still teach that story to kids, now that houses really did speak to them, and vice versa? Anyhow, he, the dead man, was up for the companionship of a recorded voice. His wife, through his illness, had said that this running app kept her sane.
この記事は The New Yorker の January 01 - 08, 2023 (Double Issue) 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は The New Yorker の January 01 - 08, 2023 (Double Issue) 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
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What happened when Lillian Ross profiled Ernest Hemingway.
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The fall of red.
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There's almost nothing I like more than a laughing fit. It is a non-brain response, like an orgasm or a sneeze.
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I have always longed to be known, truly known, by another human being. Sometimes we live for years with yearnings that we cannot name.
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As Janet Malcolm worked on \"Trouble in the Archives,\" a two-part piece about prominent psychoanalysts who disagreed about Freud, she began a correspondence with Kurt Eissler, the head of the Sigmund Freud Archives.
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I was estranged from my own mother, so a friend tried to lend me his.
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Editors, writers, and the making of a magazine.
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A new docuseries commemorates fifty years of \"Saturday Night Live.\"
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An arachnophobe pays homage to the spider.
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Mike White's mischievous morality plays.