Literature usually reaches us in its finished form, when it has already ossified into irrevocability. By the time a book is bound and printed, it is easy to forget that the words were once in motion. Franz Kafka’s fitful fiction provides a reminder. Most of his work was published posthumously, through the efforts of his best friend, Max Brod, and much of it still bears the marks of its author’s uncertainty. Kafka finished none of the three novels he started, and his final attempt, “The Castle,” leaves off abruptly midsentence.
この記事は The New Yorker の January 16, 2023 版に掲載されています。
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この記事は The New Yorker の January 16, 2023 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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