My mother began taking me to the movies when I was a little boy of three or four. She worked at factory and other menial jobs during the day, and when she came home I was the only company she had. Afterward, I’d go through the characters in my head and bring them to life, one by one, in our apartment.
The movies were a place where my single mother could hide in the dark and not have to share her Sonny Boy with anyone else. That was her nickname for me. She had picked it up from the popular song by Al Jolson, which she often sang to me.
When I was born, in 1940, my father, Salvatore Pacino, was all of eighteen, and my mother, Rose Gerardi Pacino, was just a few years older. Suffice it to say that they were young parents, even for the time. I probably hadn’t even turned two when they split up. My mother and I lived in a series of furnished rooms in Harlem and then moved into her parents’ apartment, in the South Bronx. We hardly got any financial support from my father. Eventually, we were allotted five dollars a month by a court, just enough to cover our expenses at my grandparents’ place.
The earliest memory I have of being with both my parents is of watching a movie with my mother in the balcony of the Dover Theatre when I was around four. It was some sort of melodrama for adults, and my mother was transfixed. My attention wandered, and I looked down from the balcony. I saw a man walking around below, looking for something. He was wearing the dress uniform of an M.P.—my father served as a military-police soldier during the Second World War. He must have seemed familiar, because I instinctively shouted out, “Dada!” My mother shushed me. I shouted for him again: “Dada!” She kept whispering, “Shh—quiet!” She didn’t want him to find her.
この記事は The New Yorker の September 02, 2024 版に掲載されています。
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この記事は The New Yorker の September 02, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
ART OF STONE
\"The Brutalist.\"
MOMMA MIA
Audra McDonald triumphs in \"Gypsy\" on Broadway.
INTERNATIONAL AFFAIRS
\"Black Doves,\" on Netflix.
NATURE STUDIES
Kyle Abraham's “Dear Lord, Make Me Beautiful.”
WHAT GOOD IS MORALITY?
Ask not just where it came from but what it does for us
THE SPOTIFY SYNDROME
What is the world's largest music-streaming platform really costing us?
THE LEPER - LEE CHANGDONG
. . . to survive, to hang on, waiting for the new world to dawn, what can you do but become a leper nobody in the world would deign to touch? - From \"Windy Evening,\" by Kim Seong-dong.
YOU WON'T GET FREE OF IT
Alice Munro's partner sexually abused her daughter. The harm ran through the work and the family.
TALK SENSE
How much sway does our language have over our thinking?
TO THE DETECTIVE INVESTIGATING MY MURDER
Dear Detective, I'm not dead, but a lot of people can't stand me. What I mean is that breathing is not an activity they want me to keep doing. What I mean is, they want to knock me off. My days are numbered.