Judging by how commonly birth control is practiced in the United States, it ought to rank among the least controversial of subjects. In surveys, ninetynine per cent of women of reproductive age report having used contraception in their lifetimes. Catholics avail themselves of it at about the same rate as other Americans. Evangelicals do, too. Given the fact that heterosexual Americans, like humans in general, tend to be fans of non-procreative sex, this is not so surprising. Nor is it new. In the nineteenth century, lots of people tried to game their gametes, especially anyone lucky or wealthy enough to have a discreet private physician; or who could read between the lines of newspaper ads slyly offering ârubber goods for menâ or âmarried womenâs friendsâ or âFrench periodical pillsâ; or who knew a midwife able to whip up an herbal concoction that might or might not work. Between 1800 and 1900, the average number of children for white married couples (the group most studied) dropped from just over seven to less than fourâa decline marked enough to suggest the purposeful wrangling of fertility, whether through abstinence or intervention.
And yet birth control is contested: condemned, still, by the Catholic Church; regularly undermined by attacks on reproductive rights that are aimed at abortion but take access to contraception as collateral damage; and scrambled into weird fulminations about female sexuality from right-wing talk-show hosts and Trumpian influencers. In Stephanie Gortonâs timely and well-researched new book, âThe Icon and the Idealist: Margaret Sanger, Mary Ware Dennett, and the Rivalry That Brought Birth Control to Americaâ (Ecco), you can read a number of quotes from champions of reproductive rights which seem bracingly relevant and even radical today.
ãã®èšäºã¯ The New Yorker ã® November 25, 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã ?  ãµã€ã³ã€ã³
ãã®èšäºã¯ The New Yorker ã® November 25, 2024 çã«æ²èŒãããŠããŸãã
7 æ¥éã® Magzter GOLD ç¡æãã©ã€ã¢ã«ãéå§ããŠãäœåãã®å³éžããããã¬ãã¢ã ã¹ããŒãªãŒã9,000 以äžã®éèªãæ°èã«ã¢ã¯ã»ã¹ããŠãã ããã
ãã§ã«è³Œèªè ã§ã? ãµã€ã³ã€ã³
HOLIDAY PUNCH
\"Cult of Love\" on. Broadway and \"No President\" at the Skirball.
THE ARCHIVIST
Belle da Costa Greene's hidden story.
OCCUPY PARADISE
How radical was John Milton?
CHAOS THEORY
What professional organizers know about our lives.
UP FROM URKEL
\"Family Matters\" and Jaleel White's legacy.
OUTSIDE MAN
How Brady Corbet turned artistic frustration into an American epic.
STIRRING STUFF
A secret history of risotto.
NOTE TO SELVES
The Sonoran Desert, which covers much of the southwestern United States, is a vast expanse of arid earth where cartoonish entities-roadrunners, tumbleweeds, telephone-pole-tall succulents make occasional appearances.
THE ORCHESTRA IS THE STAR
The Berlin Philharmonic doesn't need a domineering maestro.
HEAD CASE
Paul Valéry's ascetic modernism.