It’s 1940, not long after the end of the Spanish Civil War, and the townsfolk, eager for entertainment, are soon transfixed by this sad, haunting tale of a man-made monster—none more so than Ana (Ana Torrent), a six-year-old girl with a solemn gaze and a steadfast belief that she is witnessing something terrifyingly real. And who, having experienced Whale’s classic themselves, could argue with her? Ana’s older sister, Isabel (Isabel Tellería), does try to allay her fears: “Everything in the movies is fake.” And yet, Isabel insists, with a twinkle of mischief, there is an actual monster in the village, a mysterious spirit with whom they can communicate at will. “Close your eyes,” she whispers, “and call him.”
この記事は The New Yorker の August 26, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
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この記事は The New Yorker の August 26, 2024 版に掲載されています。
7 日間の Magzter GOLD 無料トライアルを開始して、何千もの厳選されたプレミアム ストーリー、9,000 以上の雑誌や新聞にアクセスしてください。
すでに購読者です? サインイン
The Dark Time. - On the Arctic border of Russia and Norway, an espionage war is emerging.
On the Arctic border of Russia and Norway, an espionage war is emerging. The point of contact between NATO and Russia's nuclear stronghold is the small town of Kirkenes. For years, Russia has treated the area as a laboratory, testing intelligence and influence operations before replicating them across Europe.
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